Visual poetry crashes into the 21st century in all its brutal beauty. Jeremy Noel-Tod reviews The New Concrete (Hayward Publishing)
The original postwar ‘concrete poetry’ movement, with its aspiration to a utopian ‘supranational’ poetry of untranslatable symbolism, was characterised by an emphasis on type in white space: the flat material surface of ‘rigid, non-sensuous’ printed language, writes Jeremy Noel-Tod.
Giambattista Bodoni was a pioneer, a polymath and a perfectionist printer. Robert Hanks reviews a new book about the man behind the typeface
Anybody with an interest in typography will have come across the name Bodoni; but the reasons for his fame are more obscure, writes Robert Hanks.
See you at St Bride at 7pm sharp. Another evening in Eye magazine’s series of informal quarterly events about design and visual culture – with Morag Myerscough and Camille Walala
Eye’s next Type Tuesday will feature presentations by two designers who make bold use of colour – Morag Myerscough and Camille Walala.
Rick Poynor meets David King, a genuine designer-author driven by an overriding need to lock horns with meaningful subject matter
Stepping across the threshold of David King’s North London house is like plunging into a history lesson, wrote Rick Poynor in 1998. King has devoted 30 years to amassing what may be the world’s largest private collection of photographs, books and magazines documenting the history of Russia and the Soviet Union.
Studio Dumbar, Niall McInnery, Andy Ristaino, Úna Burke, McBess, Stephen Averill and Shaughn McGrath … and Seb Lester. Pam Bowman and Matt Edgar conclude their coverage of the Dublin Offset conference
By the Sunday morning at Offset 2016, more coffee is required, with several extra shots, but there is still a lot to look forward to, write Pam Bowman and Matt Edgar.