Hamish Smyth’s wordmarks for Gaslit Nation and Bellingcat are memorable graphic identities for organisations that fight populism and disinformation with solid research and truth. By John L. Walters
Hamish Smyth’s identity for the Gaslit Nation podcast is a smart piece of design for a project that is playing a part in the unravelling of Trump’s presidency, writes John L. Walters.
On the first anniversary of Wim Crouwel’s death, Alex J. Todd recalls a visit to the Stedelijk Museum exhibition ‘Mr. Gridnik’
On 19 September 2019, nine days before the opening of ‘Wim Crouwel: Mr. Gridnik’ at the Stedelijk Museum, Crouwel died, aged 90, in Amsterdam, writes Alex J. Todd.
Over the past five years, Vanja Golubovic and Onlab Geneva have crafted several series of powerful posters for the Berlin techno club Tresor. By Daniel Melfi
Until the lockdown, Vanja Golubovic and her team designed around twenty flyers each month for Berlin’s iconic Tresor Club, writes Daniel Melfi.
Li Beirut is a unique font – made in a week by 160 type designers – to support victims of last month’s Beirut blast. Nadine Chahine writes for Eye about her Letters of Hope project
On Tuesday 4 August 2020, villages and towns to the north, east, and south of Beirut began to report a big explosion, writes Nadine Chahine.
Illuminated lettering signals entertainment and escapism by the sea. The fifth in Justin Burns’s series about coastal graphic design
If we take away the bright lights is there a place? The Blackpool Illuminations first lit the Lancashire seafront in 1879 when they were described as ‘Artificial Sunshine’, and remains an annual event every autumn, writes Justin Burns.
Eye’s next Type Tuesday, ‘David King: Ranged Left!’ will celebrate the life and work of David King (1943-2016)
Please join us for the next Type Tuesday at 6pm (British Summer Time) on 8 Sept 2020. This online event marks the publication of Rick Poynor’s new book David King: Designer, Activist, Visual Historian (Yale), designed by Eye’s Simon Esterson.
‘À propos’, Anette Lenz’s first major exhibition in her homeland, is an immersive, virtuoso response to Richard Meier’s MAK building in Frankfurt. By Jan Middendorp
After a two-month Covid-related delay, one of the most remarkable exhibitions of a contemporary graphic designer’s work has now opened at Museum Angewandte Kunst (‘applied art’), aka MAK, in Frankfurt / Main, writes Jan Middendorp.
Join us via Zoom for Eye’s Type Tuesday special on 14 July 2020 to hear Steven Heller and a panel of guests pay tribute to Milton Glaser
Milton Glaser, who died last month on 26 June, his 91st birthday, is such an important figure in graphic design that it’s hard to know where to start … or stop.