Be very afraid … a Deptford primary school houses a design summer camp for grown-ups with a difference
Back to school came early for the 50+ workshop attendees who ventured to a disused primary school in Deptford, South London, in August for the first-ever Registration Summer School, writes Anna Kealey.
Puss Puss magazine celebrates cat culture, from fashion to art, with bold art direction, photography and illustration. Shame about the cover …
Puss Puss is a new, London-based magazine, and a welcome addition to the surprisingly large independent pet publishing scene, writes Holly Catford.
Eye’s panel of printers, designers, photographers and publishers will talk about the past, present and future of printing this Tuesday evening at St Bride
The Type Tuesday event at St Bride Library in London (2 September 2014) is entitled ‘No end of print?’ and will include speakers from Calverts, New North Press, Kin, Pureprint and Hoxton Mini-Press, among many others.
‘Munari politecnico’, at the Museo del Novecento, champions some less familiar aspects of the Italian designer-artist’s body of work
Bruno Munari was the Richard Feynman of design, an innovator, a born teacher, a jack-of-all-trades with a quixotic nature. He never stopped inventing and questioning.
The Penguin Collectors Society turns its attention to the influential Puffin imprint for young readers … plus Porpoises, Ptarmigans and Peacocks
On 15 October 2010, the University of Bristol held a study day on Puffin, Penguin’s celebrated children’s imprint, writes Clare Walters.
A review of 21 Revolutions by Elizabeth F. Beidler
21 Revolutions tells the story of Glasgow Women’s Library (GWL) through the eyes of 42 women – 21 artists and 21 writers – who have created work that responds to the Library’s unique collection of donated materials, writes Elizabeth F. Beidler.
East London students attend a letterpress workshop with the Barcelona printing collective
The University of East London discarded its letterpress equipment years ago, like many UK-based higher education institutions, in favour of digital technology, writes Stephen Barrett.
The Courtauld Gallery’s ‘Impress’ exhibition shows the connections between the process, the printmaker and the page
Visiting the Courtauld Gallery’s (soon-to-end) exhibition ‘Impress: Print Making Expanded in Contemporary Art’ is like walking into a hidden treasure-trove of contemporary delights, writes Holly Harris.