6 December 2013
Lawrence Weiner’s typographic and gestural drawings fill the lower gallery of Amsterdam’s Stedelijk Museum
‘Written on the Wind’ (Op de Wind Geschreven) is an exhibition at Amsterdam’s Stedelijk Museum of more than 300 works on paper by the conceptual artist Lawrence Weiner, alongside short films, notebooks and gestural markings in the work and on the walls, writes Sarah Snaith.
4 December 2013
Archive night with Lucienne Roberts, Rathna Ramanathan, Fraser Muggeridge, Gerry Leonidas, Ken Garland, Simon Esterson and Martin Andrews
Next week we’ll be hosting another Type Tuesday event at St Bride Library in London. This time it’s an ‘archive night’ in collaboration with the Department of Typography & Graphic Communication at the University of Reading.
2 December 2013
30 November 2013
Graphic design is woven into fashion culture, as the ‘Women Fashion Power’ exhibition at London’s Design Museum shows, says Colin Davies
Walking up the stairs to the first-floor gallery space at the Design Museum, London, you get an inclination you might be walking into an explosion, a mini Big Bang, writes Colin Davies.
28 November 2013
22 November 2013
18 November 2013
Singapore’s graphic design story matches the city-state’s dramatic narrative, but this breathless overview leaves little time for reflection
In the introduction to Independence: The History of Graphic Design in Singpore since the 1990s, author Justin Zhuang quotes Deyan Sudjic, ‘design is the language that a society uses to create objects that reflect its purposes and values’, writes Steve Rigley.
12 November 2013
Despite its vague theme of ‘The fluidity in-between …’, the Integrated2013 conference in Antwerp was sharp and entertaining
The biannual Integrated conference organised by Hugo Puttaert, can seem bewilderingly complex at first glance, writes John L. Walters.
8 November 2013
The authors of Making Great Illustration follow up with some career advice for illustrators
Becoming a Successful Illustrator aims to show students and recent graduates how to forge an illustration career through six colourful and well organised chapters, writes Meredith Thomas.