Design, illustration, animation and anecdotes at Here London 2017
Here London, It’s Nice That’s annual conference, has become an established fixture on the design calendar, with speakers from a range of ‘creative’ disciplines showing their work, entertaining an audience of professionals and students with anecdotes, videos and slide shows of career highlights writes John L. Walters.
This year’s European Design Awards ceremony was held in the city of Porto, which is about to launch an international design biennale
Last weekend, designers from all over Europe converged on Porto for the European Design Awards (EDA) ceremony. The EDA has been running for the past decade, and now attracts entries from 34 countries, writes John L. Walters.
When the world is in flux, book design offers ‘a refuge of certainty’. Andrew Howard explains why he founded the Porto Design Summer School
There is a particularity about the education system which we take as given – that students, from infant school to university, are grouped together according to their age and experience, writes Andrew Howard.
Can emojis help people with serious difficulties in communication and self-expression? Katie Baggs is on a mission to find the ‘emoji gaps’
For Eye’s quarterly Type Tuesday on 7 March 2017, themed ‘Fists, fleurons & emojis’, I joined designers Alan Kitching, Gavin Lucas and Rian Hughes plus Emojipedia’s Jeremy Burge to chair a panel discussion on non-alphanumeric characters, writes Katie Baggs.
John O’Reilly reflects on Samuel Beckett’s Murphy and Russell Mills’s artwork for Picador’s Beckett series published in the late 1970s and early 80s
‘The sun shone having no alternative on the nothing new.’ That was Dublin in 1983 and we laughed appreciatively with the grim humour of Beckett’s opening line in Murphy, writes John O’Reilly.
For the past 28 years, Barrie Tullett has been making a typographic Dante, a project to illustrate all 100 Cantos of the Divine Comedy with letterpress, typewriters and Letraset. He is still in Purgatory … and on show in Dublin.
Appropriately enough, my love affair with typography began with a Lonely Hearts Ad, writes Barrie Tullett.