Annie Atkins and Sue Murphy talk about their Offset 2015 presentations, their award-winning work, Irish design … and gender balance. By Anna Kealey
The Offset conference has a well earned reputation as an egalitarian event with a uniquely Irish quality; there are no VIP areas or Green Rooms. All attendees are given the opportunity to socialise with each other, usually over a pint, writes Anna Kealey.
Paul Davis wears many hats (plus wigs and masks) as both illustrator and artist in his exhibition at the Ginza Graphic Gallery in Tokyo
The long-standing love affair between illustrator Paul Davis and the art directors and designers of Britain reaches a heartwarming apogee at the Ginza Graphic Gallery (GGG) in Tokyo.
A workshop for students in Turkey aimed to focus on graphic design’s value and responsibilities, says organiser and lecturer Gülizar Çepoğlu
This summer in the small village of Yahşibey, near the city of Izmir in Turkey, I headed an international workshop on design activism inspired by the Gezi protests, writes Gülizar Çepoğlu.
The catalogue for Glenn Ligon’s Come Out evokes the power and brutal claustrophobia of Steve Reich’s 1966 tape composition, first made to raise legal expenses for the Harlem Six.
The catalogue for Glenn Ligon’s Come Out is a picture book full of words, based on a piece of music made of speech, writes John L. Walters.
International street artists ‘map their spaces’ on the walls of London’s Somerset House
‘Mapping the City’, featuring 50 artists, occupies the New Wing of Somerset House, a space in transition that features bare concrete floors, fireplaces in disrepair and unfinished stonework doorways, writes Sarah Snaith.