This summer sees a host of opportunities to enjoy the work of Edward Bawden, with exhibitions in Dulwich, Saffron Walden and Morley College, new publications and an Eye event on Fri 13 July
Admirers of Edward Bawden (1903-1989) will have a heyday this summer, with an assortment of new exhibitions, catalogues and books to enjoy, writes Clare Walters.
‘Beyond Change’, a wide-ranging conference in Basel, Switzerland, gave voice to subjects often ignored within design discourse. By Katie Evans and Gabriela Matuszyk.
Thursday 8 March 2018 was International Women’s Day, marking the end of a significant twelve months for women’s rights, write Katie Evans and Gabriela Matuszyk.
ModMag takes Manhattan next Wednesday for a one-day celebration of magazine-making with Gail Bichler, Richard Turley, Emily Oberman and more
Anyone who has attended or taken part in London’s annual Modern Magazine conference will know the depth of Jeremy Leslie’s love for magazines, writes John L. Walters.
TYPO Labs unveiled cool tools for both tyros and trailblazers. In the run-up to TYPO Berlin, Jan Middendorp delivers a considered report
As the Berlin mothership – TYPO Berlin 2018 – approaches, it seems like a good moment to look back at April’s TYPO Labs conference, the past, present and future lure of type tech meetings versus typography-and-design conferences, and the type world at large, writes Jan Middendorp.
During the First World War, Gertrude Leese made sketches that revealed the day-to-day realities of life on the Allied military base at Etaples, France
The name Gertrude Leese (1870-1963) may not be instantly familiar, yet in the early 1900s she was a successful and prominent British illustrator and watercolour painter, writes Clare Walters.
Vendela Grundell’s book Flow and Friction shows how glitch art, shaky and unstable, can recalibrate our ways of seeing. Review by Kevin J. Hunt
In her book Flow and Friction, art historian and photographer Vendela Grundell explores the way glitches reveal systems and the role of the interface in a postdigital age, writes Kevin J. Hunt.