12 July 2013
10 July 2013
A childhood photo creates a visual conversation between two cultures for Steven McCarthy’s artists’ book-in-progress about Eritrea
When I visited Asmara, Eritrea recently after many years away, I carried a small black and white photograph of myself taken at the age of ten, writes Steven McCarthy in his third report from Eritrea.
8 July 2013
Several quite different summer schools take design education to Portugal, Lithuania and Sicily
Summer presents a chance to explore new destinations and starting this month, a number of summer schools are using location as the starting point for design exploration writes Linda Kwon.
4 July 2013
How social media gave voice to the Turkish people. Gülizar Çepoğlu reports from Istanbul
Technology has helped forge rebel into artist … and artist into insurgent, writes Gülizar Çepoğlu. Creativity becomes activism through posters, photographs, videos and slogans.
28 June 2013
A new exhibition recounts the history of political persuasion, from coins to tweets.
The British Library’s exhibition, ‘Propaganda: Power and Persuasion’, shows a 1982 political cartoon that was drawn shortly after martial law was imposed in Poland. The drawing is of General Jaruzelski, a Polish political leader, attempting to bridge the gap between two sides of a widening chasm. The left side represents propaganda; the right represents reality, writes Katy Canada.
26 June 2013
A collaboration – between Columbo, in Sri Lanka, and Falmouth, in the UK – explores the typographic possibilities of the Sinhalese abugida
The orthography of the Sinhalese, one of the peoples of the beautiful island of Sri Lanka‚ is one of three writing systems that populate the visible culture of the south Asian island nation, writes Timothy Donaldson.
24 June 2013
Five D-Crit students team up with experts to make presentations at their graduate symposium
It’s that time of year again, when a host of graduating art and design students prepare to launch themselves upon the world. The degree shows have gone up and this year’s crew are buzzing with anticipation, writes Liz Farrelly. That’s fine if your work looks good on a wall or in a gallery. But what about the new breed of design critics on Masters courses on both sides of the Atlantic? Just how do writers make their mark?
20 June 2013
Twenty graphic artists respond to Hari Kunzru’s post-apocalyptic tale with infographics, reliquaries, type, animation and a playhouse made of rubbish
‘London has been destroyed in fiction … innumerable times,’ said Hari Kunzru at press view for ‘Memory Palace’, just opened at the V&A in London. Kunzru’s specially commissioned text imagines a world in which all information has been erased by a digital holocaust.
19 June 2013
London’s Estorick Collection shows the work of Giorgio Casali, the photographer who framed Domus’s modernist dream
The Estorick Collection is one of London’s smaller galleries, just a short walk from Highbury and Islington (a node of the shiny new London Overground) but not on many tourists’ art tours, writes John L. Walters.
14 June 2013
We shouldn’t glamourise ‘de-branding’ as cool ‘anti-design’, says Alex Cameron. It’s simply against design.
In March this year, the Australian government’s ‘de-branded’ cigarette packaging design was one of fourteen nominated entries – in the Graphics category – in the Design Museum’s ‘Designs of the Year 2013’ awards / exhibition, writes Alex Cameron.