November 2015

18 November 2015

West End mags and East End zines

West End mags and East End zines

Eye editors

The BSME’s upcoming event ‘Indie Mag Madness’ is a chance to hear from some of the best people making and distributing indie magazines today
Next Monday the BSME (The British Society of Magazine Editors) will hold its first ever event on the subject of indie magazines. Speakers include David Lane (The Gourmand), Cathy Olmedillas (Anorak), Rob Orchard (Delayed Gratification), David Jenkins (Little White Lies) and Steve Watson of Stack, the indie mag subscription company.

11 November 2015

Fresh ideas, fresh air

Fresh ideas, fresh air

Jessica Jenkins

Academics and practitioners meet in Falmouth, Cornwall to discuss the issues affecting research in graphic design
On Friday 20 November 2015, academics, publishers and practitioners in graphic design will meet at the University of Falmouth in Cornwall for a symposium on graphic designers’ research, writes Jessica Jenkins.

3 November 2015

Noted #71

Noted #71

Eye editors

TPTQ Arabic; Frank; FS Brabo by Fontsmith; Typomad 2015; New Perspectives in Typography; The Eric Gill Series
Typotheque’s Peter Biľak has announced the launch of TPTQ Arabic, a new type foundry dedicated to developing original high-quality Arabic typefaces and systems for bi-lingual typography.

26 October 2015

Books received #16

Books received #16

Eye editors

In Progress, Glyph*, Lago, Patternalia and Street Art Santiago
Here are a few books that have caught our attention in recent weeks.

14 October 2015

Noted #70

Noted #70

Eye editors

Elsewhere; Yellow: One Illustrated Year; The Eighty-Eight; Auto Play at Graphic Design Festival Breda; and Fabriano notebooks
Here are a few things that caught our attention in recent weeks.

9 October 2015

Dancing glyphs

Dancing glyphs

Sarah Snaith

Franchise Animated – a collaborative project from Dutch foundry Animography – uses the skills of 110 motion designers. By Sarah Snaith
Kinetic typography is not new — it is used in advertising, for film and television title sequences, infographics, music videos and logos – but it is rarely sold as a complete product, as a pre-animated typeface for commercial use, writes Sarah Snaith.

30 September 2015

Pop justice

Pop justice

art, pop, pop art, tate modern

The curators of ‘The World Goes Pop’ have scoured the globe for overlooked and under-appreciated artists from a moment when art collided with the mass media
It is hard to dislike ‘The World Goes Pop’ (Tate Modern), with its mad visual assault on the senses, starting with Ushio Shinohara’s Doll Festival (1966) and finishing with Komar and Melamid’s mordant take-down of Andy Warhol, Roy Lichtenstein and Robert Indiana, writes John L. Walters

24 September 2015

Disappearing act

Disappearing act

Paul Dobbs, Elizabeth Resnick

The Graphic Workshop was a Boston artists’ collaborative, whose ‘Endangered Species’ poster series is celebrated in a current exhibition. By Paul Dobbs and Elizabeth Resnick
The Graphic Workshop was an artists’ collaborative in Boston that produced hundreds of remarkable silkscreen posters during a 22-year period, write Paul Dobbs and Elizabeth Resnick.

14 September 2015

Hans Unger centenary exhibition

Hans Unger centenary exhibition

Naomi Games

Naomi Games remembers ‘Uncle’ Hans Unger (1915-75) in anticipation of a show of his work at the Highgate Society
I do not know how Hans Unger became friends with my parents but he was always very much a part of our family. When he visited our house, (and he visited often) the three Games children were excited, writes Naomi Games.

10 September 2015

Eroticism with existential overtones

Eroticism with existential overtones

Zeljko Luketic

In the former Yugoslavia, record covers briefly delivered a ‘disco message’ of inclusion, emancipation and hedonism. By Zeljko Luketic
Will there be a disco ball? Or at least roller-skates? Those were the two most common questions I heard while preparing a series of ‘Socialist Disco Culture’ exhibitions, writes Zeljko Luketic.
 
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