Sound, dance, art and projection mapping at London’s Union Chapel
The multi-sensory project Kima – performed in March at Islington’s Union Chapel – explored the expanding discipline of immersive art, with a collaboration that involved sound, dance and projected visuals, writes Katie South.
Watercolours by Eric Ravilious at South London’s Dulwich Picture Gallery
With its verdant gardens, mausoleum (with sarcophaguses) and a smart tea-room, the Dulwich Picture Gallery seems more like a country town art centre than a London gallery. Yet its quirky contradictions and charm make it appropriate for an exhibition of watercolours by Eric Ravilious, writes John L. Walters.
Two remarkable artists died within weeks of each other late last year. Bruce Connew pays tribute to fellow photographers René Burri and Lewis Baltz
A packet arrived from photographer Lewis Baltz in Paris posted two weeks before he died on 22 November 2014, writes Bruce Connew.
War, the human condition and ‘a machine that turns out monsters’. Leon Golub at the Serpentine
Serpentine gallery in Hyde Park presents ‘Bite Your Tongue’, a survey of American artist Leon Golub, curated by Emma Enderby, for the first exhibition of his work in London since 2000, writes Sean Eckhardt.
Aisha Zeijpveld, Declan Shalvey, Steve Doogan, Tomi Ungerer, Veronica Ditting, Anders Eklind and Björn Engström, Chrissie Macdonald and Snask. Anna Kealey continues her coverage of the Dublin conference
Saturday’s illustration-heavy line-up at Offset welcomed artist, author and designer Tomi Ungerer, illustrator Chrissie Macdonald and creative agency Snask, among many others, to the stage, writes Anna Kealey.
From Irish design heroes to the silver screen – Anna Kealey describes a packed programme that included Peter Maybury, Ian Anderson, Hey Studio and Annie Atkins
Offset’s first day, Friday 6 March, included speakers from a range of backgrounds – graphic design, advertising, film, industrial design and illustration. But some connecting themes emerged: the importance of physicality and texture, meticulous production methods – and seizing opportunities despite tight deadlines, writes Anna Kealey.