Academics and practitioners meet in Falmouth, Cornwall to discuss the issues affecting research in graphic design
On Friday 20 November 2015, academics, publishers and practitioners in graphic design will meet at the University of Falmouth in Cornwall for a symposium on graphic designers’ research, writes Jessica Jenkins.
Naomi Games remembers ‘Uncle’ Hans Unger (1915-75) in anticipation of a show of his work at the Highgate Society
I do not know how Hans Unger became friends with my parents but he was always very much a part of our family. When he visited our house, (and he visited often) the three Games children were excited, writes Naomi Games.
In the former Yugoslavia, record covers briefly delivered a ‘disco message’ of inclusion, emancipation and hedonism. By Zeljko Luketic
Will there be a disco ball? Or at least roller-skates? Those were the two most common questions I heard while preparing a series of ‘Socialist Disco Culture’ exhibitions, writes Zeljko Luketic.
Thierry Noir channels the improvisatory spirit of Berlin in ‘Jazz’ at the Howard Griffin Gallery
Thierry Noir is the street artist’s street artist, painting outdoor surfaces (famously the Berlin Wall) all over the world for more than 30 years, adding colour, line and a quizzical cheerfulness to public spaces, writes John L. Walters.
The first generation of Web designers laid the foundations of the way we now work, play, share, buy, sell and participate in society. Digital archeologist Jim Boulton introduces four of the pioneers on 1 September at St Bride Library
When Tim Berners-Lee launched the first website in August 1991, it ran on the NeXTSTEP operating system. Only those with access to a cutting edge NeXT computer could view it. The Web was far from worldwide, writes Jim Boulton.
This Czech poster book contains much that is fresh and surprising, but makes some odd omissions. Review by Ken Garland
The context for the work shown in this book is usefully established by the 70 photographs that form its endpapers, writes Ken Garland.
Sheffield designer Leonard Beaumont created the UK supermarket’s first postwar identity
Sheffield-born Leonard Beaumont (1891-1986) was the graphic designer who gave Sainsbury’s supermarkets and products a consistent identity in the postwar era.
Celebrated at Eye’s 12 June event, ‘Made In Italy’ is a book and an (all-too-short) exhibition with work by Grignani, Iliprandi, Noorda and many more
Eye’s ‘Made In Italy’ event took place on 2015’s hottest day (so far) at a packed Protein Gallery in Shoreditch last night.
‘Made In Italy’, a brief chance to see the work of midcentury Italian graphic design masters – Friday 12 & Saturday 13 June 2015
Next week there’s a brief chance for Londoners to see work by some postwar masters of Italian graphic design, including Bob Noorda, Heinz Waibl, Giancarlo Iliprandi and Franco Grignani . Eye magazine will also be hosting a special event on Friday 12 June.
An archive of historical, ‘aw shucks’ clip art shows a clipped version of history, says Steven McCarthy
One afternoon about fifteen years ago, my University of Minnesota office phone rang, writes Steven McCarthy. It was an attorney at law, claiming to represent The Gap, the clothing retailer.