McKnight Kauffer’s Modernist posters for London Underground go under the hammer next week. By Graham Twemlow
In the design canon, from a contemporary perspective, the American-born poster artist Edward McKnight Kauffer (1890-1954) remains an enigmatic figure. Yet in the 1920s and 1930s he was the most celebrated graphic designer in the UK, writes Graham Twemlow.
Ladybird’s illustrative visions of mid-century Britain, on display at the De La Warr Pavilion and in a new book
A visit to the spacious light-filled De La Warr Pavilion – one of the most iconic Modernist buildings in Britain – is always a pleasure, even on a cold rainy wind-swept day, writes Clare Walters.
An Atlas of Agendas, Communication Design, In Almost Every Picture, The Bright Labyrinth, Print is Dead. Long Live Print
Here is a quick look at some titles that have recently arrived at Eye’s Shoreditch office.
Watercolours by Eric Ravilious at South London’s Dulwich Picture Gallery
With its verdant gardens, mausoleum (with sarcophaguses) and a smart tea-room, the Dulwich Picture Gallery seems more like a country town art centre than a London gallery. Yet its quirky contradictions and charm make it appropriate for an exhibition of watercolours by Eric Ravilious, writes John L. Walters.
Two remarkable artists died within weeks of each other late last year. Bruce Connew pays tribute to fellow photographers René Burri and Lewis Baltz
A packet arrived from photographer Lewis Baltz in Paris posted two weeks before he died on 22 November 2014, writes Bruce Connew.
Kemistry Gallery’s brief pop-up exhibition at Protein Studios gives visitors a chance to sample its quirky approach to design and graphic art
Kemistry Gallery occupied a small space in Shoreditch for ten years, and in that time, they showed a series of stimulating exhibitions.
The Eternal Letter, edited by Paul Shaw, was launched at the Type Directors Club in New York
Last month MIT Press launched the book The Eternal Letter: Two Millennia of the Classical Roman Capital at the Type Directors Club in New York City, writes Doug Clouse.
New York was Lella and Massimo Vignelli’s kind of town. They were New York’s kind of designers. A profile from the 1980s by Rick Poynor
Entering the New York offices of Massimo and Lella Vignelli is like crossing the threshold of a church, writes Rick Poynor.
Ligne B, Editorial Design, T: A Typology of T-Shirts, Greetings from Retro Design and The Type Taster
Here’s another round-up of some of the design-related titles piling up at Eye’s Shoreditch office.
Fellow designers celebrate the life and work of Massimo Vignelli at an exhibition in San Sebastián
A new exhibition at the Okendo Cultural Centre in San Sebastián, Spain, celebrates the life and work of Massimo Vignelli.