Information posters told British citizens what to do about nearly everything – from posting early to eating potatoes, writes Clare Walters
From protecting national secrets to guiding work choices, from cleaning our teeth to dish-washing, public information posters have advised the British public what to do for generations, writes Clare Walters.
The exhibition ‘Century: 100 Years of Type in Design’ opens in New York
The ‘Century: 100 Years of Type in Design’ exhibition opens today at the AIGA National Design Center in New York.
Aisling Farinella, Adrian Shaughnessy, I Love Dust, Jon Burgerman, Richard Turley, Marian Bantjes, Jeff Greenspan and Chris Judge. Pam Bowman concludes her coverage of the Dublin Offset conference
The third and final day of the Offset conference began with Dublin-based stylist Aisling Farinella on the main stage, writes Pam Bowman.
To mark First Things First’s 50th anniversary – an initiative to update the manifesto’s aims for the digital age
If you are not a graphic designer, you are unlikely to have heard of the ‘First Things First’ manifesto, writes Nigel Ball.
Michael Rock delivers more words about buildings and fnord
The uncontroversial premise of Multiple Signatures is that design is a collaborative act, writes David Crowley.
Fabriano, Sint Lucas University, Illustration Next, Roy G. Biv and Eduardo Paolozzi at New Worlds
Here is a brief look at some titles that recently arrived at Eye’s Shoreditch office.
Antique or academic resource? Dan Rhatigan considers a dilemma: the disposal of type design archives once consigned to the scrapheap
On 5 January 2014, an episode of BBC Television’s popular Antiques Roadshow caught the attention of many typographers and lovers of type, writes Dan Rhatigan.
A great Modernist graphic designer. Fraser Muggeridge pays tribute
Ken Briggs has died at his home in Eltham, South London aged 82 after struggling for several years with Parkinson’s disease. He is best known for the hundreds of posters and programmes he designed for The National Theatre in London during the 1960s, writes Fraser Muggeridge.
The Cuban OSPAAAL posters in Kemistry’s show pack a macho sense of déjà vu, says Colin Davies.
Walk into Kemistry’s OSPAAAL exhibition in Shoreditch and you might be hit by the Cuban posters’ familiarity – there’s a sense of déjà vu, writes Colin Davies.
Elena Sudakova and Lutz Becker curate Soviet silent film posters from the 1920s and 30s, on display at London’s GRAD gallery from 17 January
GRAD Gallery for Russian Arts and Design, in collaboration with online poster gallery AntikBar, is hosting a poster exhibition in London this month, and it is a ‘must see’ for anyone interested in the visual arts and communications, writes Alex Cameron.