New York was Lella and Massimo Vignelli’s kind of town. They were New York’s kind of designers. A profile from the 1980s by Rick Poynor
Entering the New York offices of Massimo and Lella Vignelli is like crossing the threshold of a church, writes Rick Poynor.
Ligne B, Editorial Design, T: A Typology of T-Shirts, Greetings from Retro Design and The Type Taster
Here’s another round-up of some of the design-related titles piling up at Eye’s Shoreditch office.
Fellow designers celebrate the life and work of Massimo Vignelli at an exhibition in San Sebastián
A new exhibition at the Okendo Cultural Centre in San Sebastián, Spain, celebrates the life and work of Massimo Vignelli.
If you have ever enjoyed making things from bits of string and wire, pipe cleaners and fabric, cotton reels and ping-pong balls, this book will surely appeal, writes Clare Walters.
A new exhibition shows how C. R. W. Nevinson brought an avant-garde eye to the grim truth of war
As Europe marks the centenary of the outbreak of the First World War, a new exhibition of C. R. W. Nevinson’s prints is a bleak reminder of those dark days, writes Clare Walters.
Ditchling’s elegantly revamped museum places Eric Gill in the everyday context of extraordinary craftspeople
The small Sussex village of Ditchling, near the South Coast of England, was in 1907 already something of a haven for a growing arts and crafts community when Eric Gill moved there with his expanding family, writes Catherine Dixon.
Two 21st-century letterpress projects breathe new life into this arcane, antiquated but much-loved method of mark-making
The LDF’s opening graphic weekend featured plenty of stimulating events and fascinating displays, with workshops, movies (Lost Highway), demonstrations, talks (Paula Scher, Irma Boom), David David’s Carousel Wall in the tunnel entrance, and Barber & Osgerby’s vertiginous Double Space – huge rotating mirrors – in the Raphael Gallery, writes John L Walters.
Talking statues, Random Spectacular, design trivia, Hat Monkey and Mediteranneo
Here are a few things that recently caught our attention.
‘Munari politecnico’, at the Museo del Novecento, champions some less familiar aspects of the Italian designer-artist’s body of work
Bruno Munari was the Richard Feynman of design, an innovator, a born teacher, a jack-of-all-trades with a quixotic nature. He never stopped inventing and questioning.
The Penguin Collectors Society turns its attention to the influential Puffin imprint for young readers … plus Porpoises, Ptarmigans and Peacocks
On 15 October 2010, the University of Bristol held a study day on Puffin, Penguin’s celebrated children’s imprint, writes Clare Walters.