21 March 2013
Future Everything launches with a downloadable collection of essays that explore the ideas behind ‘digital public space’
Future Everything, just opened in Manchester, is tackling the issue of ‘public space’ in the digital realm.
18 March 2013
Sign painters, film trailers, Nieves’ zines, Tom Gauld and Pencil to Pixel in New York
A few books, videos, zines and events that caught our eye …
7 March 2013
In the wake of last week’s V&A symposium, two attendees make an impassioned plea for the foundation of a British poster museum.
For more than two centuries the poster has occupied public space on hoardings, building sites, the sides of buses and commercial vehicles, plus every conceivable spot where these images might be caught within the public eye, write Naomi and Daniel Games.
21 February 2013
During his lifetime, the prickly, uproarious brilliance of Tom Lubbock’s writing on art was a frustratingly well kept secret, writes Robert Hanks, hoarded by a few artists and fellow journalists, and the ever-diminishing fraternity of readers of the Independent newspaper (where we were colleagues for many years).
25 January 2013
A printed guide to the 1951 Festival of Britain prompted Nigel Ball to consider the value placed on design by governments – then and now
Not seeing the value of investment in design is a folly of the current British government, writes Nigel Ball.
17 January 2013
Dr Hans Sachs was the poster aficionado who launched Das Plakat. By Graham Twemlow
Graham Twemlow writes: A large part of the Hans Sachs poster collection is about to be sold off at auction (see ‘Back on the market’). Born in Breslau, Germany in 1881, Dr Sachs began collecting posters at the end of the nineteenth century while he was training to become a chemist (he later turned to dentistry).
13 January 2013
Prewar posters from the legendary collection of Dr Hans Sachs will soon go on sale at a New York auction house
A sale of 1250 prewar posters from Dr Hans Sachs’s legendary collection will take place in New York on 18, 19 and 20 January 2013, writes Graham Twemlow. The Guernsey’s auction catalogue states that: ‘… many of the posters in the collection are believed to be the sole surviving examples of those particular images’.
7 January 2013
Chess – the gymnasium of the mind – is a perennial source of inspiration for designers, film-makers and artists, says Jim Sutherland
It’s no wonder chess holds such a fascination for artists, film-makers and designers, writes Jim Sutherland. It has such a rich visual language to plunder.
10 December 2012
Dom Sylvester Houédard’s 1968 concrete poetry tribute to fellow poet Ken Cox is a double spiral of hand-set type, mysteriously linked by the sport of cheese rolling. Fraser Muggeridge explains.
The letterpress printed concrete poem designed by Dom Sylvester Houédard first caught my interest because of its use of the Flaxman typeface, designed by Edward Wright (1912-88) for the International Concrete Poetry Festival in 1967, writes Fraser Muggeridge.
13 November 2012
Pencil to Pixel opens up Monotype’s archive of typographic history, from artwork to artefacts
The ‘Pencil to Pixel’ exhibition, which opens this Friday at Metropolitan Wharf in London, gives visitors is a chance to see some of Monotype’s extensive archive of original artwork, type drawings, arcane artefacts (including justification drums and ships’ curves) and publications.