9 April 2013
Bob Gill, Louise Fili and Ben Bos explain why design is ‘not a profession but a way of life.’ Pam Bowman reports from the Dublin conference.
Starting at 10am on Friday 5 April and finishing at 7pm the following Sunday, Offset 2013 had a demanding, exhausting programme, writes Pam Bowman. However it was hugely inspirational, with parties to boot!
3 April 2013
Rich in reproductions and spanning a wide range of musical genres, Classic Rock Posters is eye candy for anyone interested in music poster design, writes Holly Harris.
26 March 2013
The first thing you think on flipping through Characters is: Wow, I wouldn’t mind living in Melbourne, writes Robert Hanks.
24 March 2013
The Alliance Graphique Internationale pulls out the stops for a two-day, student-oriented event at London’s Barbican this autumn
Last Wednesday saw a rare gathering of some of the UK’s most senior designers (David Gentleman, Sean Perkins, Margaret Calvert, Henrik Kubel), and design educators, crammed into a small room at the Design Museum to announce an event at London’s Barbican Centre on 26-27 September – AGI Open.
21 March 2013
Future Everything launches with a downloadable collection of essays that explore the ideas behind ‘digital public space’
Future Everything, just opened in Manchester, is tackling the issue of ‘public space’ in the digital realm.
18 March 2013
Sign painters, film trailers, Nieves’ zines, Tom Gauld and Pencil to Pixel in New York
A few books, videos, zines and events that caught our eye …
7 March 2013
In the wake of last week’s V&A symposium, two attendees make an impassioned plea for the foundation of a British poster museum.
For more than two centuries the poster has occupied public space on hoardings, building sites, the sides of buses and commercial vehicles, plus every conceivable spot where these images might be caught within the public eye, write Naomi and Daniel Games.
21 February 2013
During his lifetime, the prickly, uproarious brilliance of Tom Lubbock’s writing on art was a frustratingly well kept secret, writes Robert Hanks, hoarded by a few artists and fellow journalists, and the ever-diminishing fraternity of readers of the Independent newspaper (where we were colleagues for many years).
25 January 2013
A printed guide to the 1951 Festival of Britain prompted Nigel Ball to consider the value placed on design by governments – then and now
Not seeing the value of investment in design is a folly of the current British government, writes Nigel Ball.
17 January 2013
Dr Hans Sachs was the poster aficionado who launched Das Plakat. By Graham Twemlow
Graham Twemlow writes: A large part of the Hans Sachs poster collection is about to be sold off at auction (see ‘Back on the market’). Born in Breslau, Germany in 1881, Dr Sachs began collecting posters at the end of the nineteenth century while he was training to become a chemist (he later turned to dentistry).