Designer Scott W. Santoro writes about the lessons he learned while producing a textbook for graphic design students
My young son once asked, ‘Why are we here?’, writes Scott W. Santoro. When the question was flipped back to him, ‘Why do you think we are here, Ellis?’, he responded, ‘To learn stuff!’
Mid-twentieth century posters catch a contemporary mood at Christie’s vintage poster auction
At a recent Christie’s sale of vintage posters, the most popular represented campaigns from the mid-twentieth century, writes Holly Harris.
A new exhibition recounts the history of political persuasion, from coins to tweets.
The British Library’s exhibition, ‘Propaganda: Power and Persuasion’, shows a 1982 political cartoon that was drawn shortly after martial law was imposed in Poland. The drawing is of General Jaruzelski, a Polish political leader, attempting to bridge the gap between two sides of a widening chasm. The left side represents propaganda; the right represents reality, writes Katy Canada.
A collaboration – between Columbo, in Sri Lanka, and Falmouth, in the UK – explores the typographic possibilities of the Sinhalese abugida
The orthography of the Sinhalese, one of the peoples of the beautiful island of Sri Lanka‚ is one of three writing systems that populate the visible culture of the south Asian island nation, writes Timothy Donaldson.
A report from day two of the inaugural Point conference in London
Conference themes are often loosely interpreted by speakers and the themes themselves leave space for interpretation, writes Sarah Snaith in the second of two reports from the conference (see John O’Reilly’s ‘Talking about the A-word’ on the Eye blog).
The Bauhaus Archive presents a tour of German-language typographic history with ‘On-Type: Texts on Typography’.
They say that an exhibition should never be a book on a wall, but ‘On-Type’ is exactly that. The entire exhibition is made up of many books and texts all over the walls at Berlin’s Bauhaus Archive, writes Jessica Jenkins.
FutureEverything founder Drew Hemment has been using art and design to ‘curate innovation’ since the dawn of internet culture
Following up from the FutureEverything Summit in Manchester, Linda Kwon talks with FutureEverything founder Drew Hemment.
The first Eye archive night to be held outside London takes place at the Pencil to Pixel show in New York next Monday evening
Early next week, On Monday 6 May 2013, we will be in New York, where we’re inviting a number of local designers and writers to present a ‘Desert Island Discs’ selection of items from Monotype’s rich archive of typographic history – some of which is on show at the company’s ‘Pencil to Pixel’ exhibition in Tribeca, which opens tonight.
Craig & Karl, Oliver Jeffers, Chris Silas Neal, Ben Newman and Kate Moross take the stage. Pam Bowman reports on her final day in Dublin.
The last day of the conference began with the design pair Craig and Karl. writes Pam Bowman, in the third and final report from Offset 2013.
A glimpse at the ethos behind Alliance Graphique Internationale and the upcoming AGI Open London 2013
The public profile of the Alliance Graphique Internationale (AGI) is not especially high, which is a little surprising considering the members who belong to it, writes Tony Brook.