Aspen, the cultural journal that challenged the limits of its form, goes on display at Whitechapel Gallery in London
To read an edition of Aspen magazine is to flip through a booklet, unfurl a concertina, shuffle some postcards or to unfold a poster, writes Elizabeth Glickfeld. Copies of the cult 1960s artists’ magazine are now so prized that the tactile experience of reading any one edition is necessarily denied the viewer of the exhibition ‘Aspen Magazine: 1965–1971’ (in the Pat Matthews Gallery at the Whitechapel Gallery in London).
A new food and culture journal, The Gourmand, gives design-conscious readers something to get their teeth into …
The Gourmand, a new food and culture journal, hinges on the way food brings people – especially creative people – together, shaping their conversations, writes Sarah Snaith. The launch party, at Vauxhall’s Brunswick House Café, did much the same.
Paul Smith, Giles Duley, GTF and Quentin Jones head the line-up for Here 2012, 21 September
How does a wannabe racing cyclist from Nottingham become one of the foremost creative figures of his generation, a global fashion name with a particularly English aesthetic? ‘Here 2012’, the September symposium curated by It’s Nice That, promises a unique – and amusing – insight into the mind that launched a thousand suits, their (informal) mentor Sir Paul Smith.
Next month, Birmingham’s Ikon Gallery will exhibit a survey of Tony Arefin’s graphic design
Tony Arefin’s art catalogues made him one of the most important figures in the British art scene of the late 1980s and early 1990s, writes James Langdon. Yet the exhibition I am curating for Ikon Gallery in Birmingham is the first to survey his influential graphic design work.
Editorial designers get into the fast lane to deliver print for the Games
One big, but largely unsung design challenge of the 2012 Olympic Games has been the print production and design of 55 different publications, from the 196-page, perfect-bound Official Programme to an Olympics daily, the first of which is due to roll off the presses early on Saturday morning, writes John L. Walters.
Time magazine infographics by Nigel Holmes, 1970s – infodesign in Eye 82
It was good luck, really, writes Nigel Holmes. Walter Bernard, Time’s art director, was looking for someone to do the magazine’s charts and diagrams when I walked into his New York office in September 1977, during a job-finding visit to the United States.
Commercial Type’s Christian Schwartz & Paul Barnes – interviewed in Eye 82
‘There has been typography on the Web for its entire existence, because there are words, and where there are words there is typography … Some people believe that there is going to be a radical change in the process of reading because of webfonts. Actually, no.’