Posters

3 December 2009

Stop press

Stop press

the type department

Tickets available for an Eye evening with Alan Kitching & Celia Stothard
Next week, there’s a special opportunity to hear Alan and Celia talk about their prints, see their exhibition and purchase selected works. (See Eye blog, ‘Fine words for Kitching / Stothard’).

3 December 2009

Pull out pages and panic

Pull out pages and panic

simon esterson

Adam Simpson’s poster for Eureka is a graphic call for climate change action
The third edition of Eureka, the monthly science magazine published with The Times, is out today and features a huge, four-page poster, writes Simon Esterson.

24 November 2009

Designing for Dieter Rams

Designing for Dieter Rams

bibliothèque, mason wells

Bibliothèque on the graphic roots of product design
There are important designers and then there are the really important designers, writes Mason Wells of Bibliothèque. Dieter Rams is definitely one of the latter.

19 November 2009

Fine words for Kitching / Stothard

Fine words for Kitching / Stothard

john l. walters

Breathing life into the dying embers of letterpress … to light graphic fireworks
The great thing about spoken tributes, when they’re done well, is that they give the speakers a chance to say nice things they would never say face to face, writes John L. Walters.

18 November 2009

Bigger is better

Bigger is better

sara martin

Paula Scher relates ‘A series of strange circumstances’ for her D&AD talk
Paula Scher started her talk in London last week with examples of her work from her first job at CBS records, where she had to design more than a hundred LP covers a year, writes Sara Martin.

10 November 2009

Male-gazing in NZ, Russia and NYC

Male-gazing in NZ, Russia and NYC

lynne ciochetto

Lynn Ciochetto on the creation of new needs and markets
Much advertising in the past has been about creating new needs and taboos that can be met by products, writes Lynne Ciochetto, as I noted in my Eye 59 article ‘Advertising and the globalisation of aspiration’. Throughout most of the twentieth century, the focus has been on the female market.

6 November 2009

Just Add Stock winner, advertising

Just Add Stock winner, advertising

john ridpath, the awards department

Why Not Associates’ stark poster for The End of the Line
It was a tough call, but the Just Add Stock award for Printed advertising went to Why Not Associates. Their winning entry was a poster for Rupert Murray’s The End Of The Line, a documentary exposing the devastating effect of overfishing on the world’s oceans.

4 November 2009

Early adopter: Desmond Jeffery

Early adopter: Desmond Jeffery

simon esterson

St Bride hails the ‘non-designer’ who’s an unsung hero of British Modernism
The most exciting graphic design exhibition I’ve seen in London recently is at the St Bride Library, writes Simon Esterson. But its subject would never have admitted to being a designer.

30 October 2009

The right lines

The right lines

john l. walters

iwant’s illustrative identity for the London Jazz Festival
Album covers may be a dying art, but design for live music is thriving, writes John L. Walters, and iwant’s identity – brochures, posters, launch invitations (top) and floor vinyl (below), for next month’s London Jazz Festival is an example of what can be achieved when imaginative illustration and design meets a sympathetic music client.

21 October 2009

Image loops

Image loops

lee owens, revenge is sweet

Keeping one step ahead of the stock photo police
In the Eye 69 supplement ‘Brought to Light’, John O’Reilly compared stock imagery to pop music, writes Lee Owens of Revenge is Sweet. In his article ‘Straight to no. 1’ John says: ‘A great commercial stock image is like a three-minute pop song: the best have a simple repetitive emotional intelligence.’
 
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