Posters

14 December 2009

Pan Am’s Helvetica dreamtime

Pan Am’s Helvetica dreamtime

How I unearthed a forgotten chapter in corporate design history
I came across six Pan Am posters while visiting the ‘Here Is Every. Four Decades of Contemporary Art’ exhibition at the Museum of Modern Art in New York, writes Frederico Duarte.

10 December 2009

Hat-Trick card trick

Hat-Trick card trick

things we like

Typographic treats (or what Jim Sutherland did on his holidays)
You wouldn’t want to play poker or spit with a pack like this, but type-spotters will probably devise their own game.

3 December 2009

Stop press

Stop press

the type department

Tickets available for an Eye evening with Alan Kitching & Celia Stothard
Next week, there’s a special opportunity to hear Alan and Celia talk about their prints, see their exhibition and purchase selected works. (See Eye blog, ‘Fine words for Kitching / Stothard’).

3 December 2009

Pull out pages and panic

Pull out pages and panic

simon esterson

Adam Simpson’s poster for Eureka is a graphic call for climate change action
The third edition of Eureka, the monthly science magazine published with The Times, is out today and features a huge, four-page poster, writes Simon Esterson.

24 November 2009

Designing for Dieter Rams

Designing for Dieter Rams

bibliothèque, mason wells

Bibliothèque on the graphic roots of product design
There are important designers and then there are the really important designers, writes Mason Wells of Bibliothèque. Dieter Rams is definitely one of the latter.

19 November 2009

Fine words for Kitching / Stothard

Fine words for Kitching / Stothard

john l. walters

Breathing life into the dying embers of letterpress … to light graphic fireworks
The great thing about spoken tributes, when they’re done well, is that they give the speakers a chance to say nice things they would never say face to face, writes John L. Walters.

18 November 2009

Bigger is better

Bigger is better

sara martin

Paula Scher relates ‘A series of strange circumstances’ for her D&AD talk
Paula Scher started her talk in London last week with examples of her work from her first job at CBS records, where she had to design more than a hundred LP covers a year, writes Sara Martin.

10 November 2009

Male-gazing in NZ, Russia and NYC

Male-gazing in NZ, Russia and NYC

lynne ciochetto

Lynn Ciochetto on the creation of new needs and markets
Much advertising in the past has been about creating new needs and taboos that can be met by products, writes Lynne Ciochetto, as I noted in my Eye 59 article ‘Advertising and the globalisation of aspiration’. Throughout most of the twentieth century, the focus has been on the female market.

6 November 2009

Just Add Stock winner, advertising

Just Add Stock winner, advertising

john ridpath, the awards department

Why Not Associates’ stark poster for The End of the Line
It was a tough call, but the Just Add Stock award for Printed advertising went to Why Not Associates. Their winning entry was a poster for Rupert Murray’s The End Of The Line, a documentary exposing the devastating effect of overfishing on the world’s oceans.

4 November 2009

Early adopter: Desmond Jeffery

Early adopter: Desmond Jeffery

simon esterson

St Bride hails the ‘non-designer’ who’s an unsung hero of British Modernism
The most exciting graphic design exhibition I’ve seen in London recently is at the St Bride Library, writes Simon Esterson. But its subject would never have admitted to being a designer.
 
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