Established graphic designers struggle with the ‘white cube’ of a gallery space. How can emerging designers explain their work in the crowded environs of a graduate show?
Each year, graduating students of the Visual Communication course at the Royal College of Art are faced with the problem of their final graduate show, writes Jessica Morgan.
Design through a typographic lens – a report from the TDC Awards in New York by Doug Clouse
The Type Directors Club annual competition captures a portrait of design in our time through the lens of typography, writes Doug Clouse.
Open Set summer school tackles autonomy within design culture under the theme of ‘Commonomy’ – with a special offer for Eye blog readers
Design summer programmes offer many enticing reasons to participate, not least of which is the chance to learn from renowned design professionals while gaining new perspectives and experimenting with new design approaches, writes Linda Kwon.
The Roundel, quotes and quips, Various Small Books, interaction design and Unearthing
In the first of a new series of ‘Books received’ blog posts, here is a brief look at some titles that recently arrived at Eye’s Shoreditch office.
Several quite different summer schools take design education to Portugal, Lithuania and Sicily
Summer presents a chance to explore new destinations and starting this month, a number of summer schools are using location as the starting point for design exploration writes Linda Kwon.
A collaboration – between Columbo, in Sri Lanka, and Falmouth, in the UK – explores the typographic possibilities of the Sinhalese abugida
The orthography of the Sinhalese, one of the peoples of the beautiful island of Sri Lanka‚ is one of three writing systems that populate the visible culture of the south Asian island nation, writes Timothy Donaldson.
Five D-Crit students team up with experts to make presentations at their graduate symposium
It’s that time of year again, when a host of graduating art and design students prepare to launch themselves upon the world. The degree shows have gone up and this year’s crew are buzzing with anticipation, writes Liz Farrelly. That’s fine if your work looks good on a wall or in a gallery. But what about the new breed of design critics on Masters courses on both sides of the Atlantic? Just how do writers make their mark?
Steven McCarthy examines the way maps represent Eritrea’s capital city, Asmara – from architectural gems to military legacy
Unable to find a map of Asmara prior to my trip to Eritrea, apart from the page-sized version in a Lonely Planet guidebook, I made several screen grabs of Google maps in progessive levels of detail and saved them as images on an iPad, writes Steven McCarthy in his second report from Eritrea.
The Alliance Graphique Internationale pulls out the stops for a two-day, student-oriented event at London’s Barbican this autumn
Last Wednesday saw a rare gathering of some of the UK’s most senior designers (David Gentleman, Sean Perkins, Margaret Calvert, Henrik Kubel), and design educators, crammed into a small room at the Design Museum to announce an event at London’s Barbican Centre on 26-27 September – AGI Open.
Visual Communication students from the Royal College of Art reveal a glimpse of their recent collaboration with the V&A museum
Earlier this month, a collaboration between the V&A and Visual Communication students from the Royal College of Art sought to prove that the poster has not been killed off by the introduction of digital media in communication and advertising. Their findings, displayed in two rooms of the Sackler Centre, argued that the poster remains a long-serving example of print doing what it does best – mass communication.