The third annual DoU information design conference takes place in London this Friday
This Friday sees the third annual Design of Understanding conference at St Bride Library in London.
Kingston University graduates teamed with established illustrators to go behind the scenes at the Old Vic and draw what they saw
First Hand is a collective of seven illustrators and designers who champion reportage drawing: using draftsmanship to experience and record ideas, events, people and places with a journalistic approach, writes Hannah Simpson.
‘Geographics’ tackled the transnational terrain of design education. Report from the AIGA design educators’ conference in Hawaii
The East-West Center is set within the campus of the University of Hawaii at Manoa; a prime conference location to discuss transnational influences in design education, writes Katherine Gillieson.
Design students hope to acquire skills that are transferable and future-proof. In our new media world, letterpress and education need each other
If you’d blinked, you might have missed the 6x6 Collaborative Letterpress Project’s three-day exhibition at Her House Gallery in London last November, writes Alex Cameron.
Do university blogs still have a role to play in developing links between students, institutions, countries and disciplines? Essay by Neil McGuire
The design course blog, over a decade after blogging hit the mainstream, is still relatively rare, writes Neil McGuire. But when used imaginatively, they have the potential to enhance the educational experience on a number of levels.
Le Petit Néant, a new annual drawing magazine, is designed to heighten ambiguity and avoid categorisation.
Le Petit Néant is an earnest name for a drawing magazine. French for ‘The Small Nothingness’, the title reeks of existential inquiry, writes Elizabeth Glickfeld.
The current vogue for letterpress is more than mere retro-nostalgia, writes Catherine Dixon in the run-up to Friday’s St Bride conference.
Letterpress is everywhere, writes Catherine Dixon (co-organiser of ‘Letterpress: Something to Say’).
What do design students get for their £9000 a year? Cascade is looking for ways to link education to an uncertain future in the world of work
A new academic year is an opportunity for anyone who works in education to re-assess what they do and why they do it, writes Derek Yates. The past twenty years’ cosy myths about art and design education are being blown apart.
Three elective design courses at New Zealand’s CoCA demonstrate how the pace of physical printing helps the graphic design process.
The manual qualities of printing slow down the creative process, writes Nick Kapica, and provide access to a visual language that can feed back into students core subject areas.
The international challenges of communicating AIDS awareness
Contemporary consumer society has particular features that present communication challenges for the social service sector, writes Lynne Ciochetto.