A collaboration – between Columbo, in Sri Lanka, and Falmouth, in the UK – explores the typographic possibilities of the Sinhalese abugida
The orthography of the Sinhalese, one of the peoples of the beautiful island of Sri Lanka‚ is one of three writing systems that populate the visible culture of the south Asian island nation, writes Timothy Donaldson.
Five D-Crit students team up with experts to make presentations at their graduate symposium
It’s that time of year again, when a host of graduating art and design students prepare to launch themselves upon the world. The degree shows have gone up and this year’s crew are buzzing with anticipation, writes Liz Farrelly. That’s fine if your work looks good on a wall or in a gallery. But what about the new breed of design critics on Masters courses on both sides of the Atlantic? Just how do writers make their mark?
Steven McCarthy examines the way maps represent Eritrea’s capital city, Asmara – from architectural gems to military legacy
Unable to find a map of Asmara prior to my trip to Eritrea, apart from the page-sized version in a Lonely Planet guidebook, I made several screen grabs of Google maps in progessive levels of detail and saved them as images on an iPad, writes Steven McCarthy in his second report from Eritrea.
The Alliance Graphique Internationale pulls out the stops for a two-day, student-oriented event at London’s Barbican this autumn
Last Wednesday saw a rare gathering of some of the UK’s most senior designers (David Gentleman, Sean Perkins, Margaret Calvert, Henrik Kubel), and design educators, crammed into a small room at the Design Museum to announce an event at London’s Barbican Centre on 26-27 September – AGI Open.
Visual Communication students from the Royal College of Art reveal a glimpse of their recent collaboration with the V&A museum
Earlier this month, a collaboration between the V&A and Visual Communication students from the Royal College of Art sought to prove that the poster has not been killed off by the introduction of digital media in communication and advertising. Their findings, displayed in two rooms of the Sackler Centre, argued that the poster remains a long-serving example of print doing what it does best – mass communication.
Ian Noble was an inspiring teacher who believed in ‘a theory of practice, not the practice of theory’. Russell Bestley pays tribute to an innovator in graphic design education.
It is with great sadness that we must announce the passing of one of the great innovators in modern graphic design education, writes Russell Bestley. Ian Noble, teacher, author, designer, outstanding mentor and critical friend to both professionals and students of graphic design alike for more than 25 years, passed away on Wednesday 30 January, 2013.
Rick Finlay recalls his time at Reading, a university education that was not about vocation, but ‘raw knowledge and research, and their applicability to whatever life throws at you’
As an undergraduate on the Typography course at Reading University around 1980 I found enough fellow tunesmiths to put together a five-piece band made up only of students on the course, writes Rick Finlay. We were proud of our rock-pop constructions, but also fastidious about the packaging of our demo cassette.
A printed guide to the 1951 Festival of Britain prompted Nigel Ball to consider the value placed on design by governments – then and now
Not seeing the value of investment in design is a folly of the current British government, writes Nigel Ball.
The third annual DoU information design conference takes place in London this Friday
This Friday sees the third annual Design of Understanding conference at St Bride Library in London.
Kingston University graduates teamed with established illustrators to go behind the scenes at the Old Vic and draw what they saw
First Hand is a collective of seven illustrators and designers who champion reportage drawing: using draftsmanship to experience and record ideas, events, people and places with a journalistic approach, writes Hannah Simpson.