Make Your Own Luck, Grafica Della Strada, classic Volkswagen ads, Kazimir Malevich, Ark and Ends Meet, Essays on Exchange
Here are a few books that have come into Eye’s Shoreditch office that caught our attention.
Eye’s panel of printers, designers, photographers and publishers will talk about the past, present and future of printing this Tuesday evening at St Bride
The Type Tuesday event at St Bride Library in London (2 September 2014) is entitled ‘No end of print?’ and will include speakers from Calverts, New North Press, Kin, Pureprint and Hoxton Mini-Press, among many others.
The Penguin Collectors Society turns its attention to the influential Puffin imprint for young readers … plus Porpoises, Ptarmigans and Peacocks
On 15 October 2010, the University of Bristol held a study day on Puffin, Penguin’s celebrated children’s imprint, writes Clare Walters.
The Typographic Universe, Strange Worlds, paper folding, Supernew Supergraphics and The Open Book Project
Here is a quick look at some titles that have recently arrived at Eye’s Shoreditch office.
Off Life, the Guardian app, Ends Meet, degree show invites, Swiss books and OOMK magazine
Here are a few things that caught our attention in recent weeks.
‘The ins and outs of book design’ at St Bride will feature Gerald Cinamon, Jason Godfrey, David Pearson & Clare Skeats and Mark Thomson
Our next Type Tuesday event at St Bride Library, about ‘the ins and outs of book design’, will take place on 3 June 2014.
UK book printing is in trouble, says Francis Atterbury. The trade makes truly awful books, while the Private Press lacks content.
There’s a wave of technological revolution hitting the printing industry as new technology and new printing methods promise a revolution in the trade, writes Francis Atterbury.
‘Lettering: Objects, Examples, Practice’ is the first exhibition of its kind at Central Saint Martins’ Kings’s Cross premises
The ‘Lettering: Objects, Examples, Practice’ exhibition, at Central Saint Martins’ Lethaby Gallery, displays traces of lettering history and the traces former students and faculty have left on the college and its student body, writes Sarah Snaith.
What can we learn from Paul Peter Piech? Fraser Muggeridge hails an overlooked but highly original graphic artist
As a second-year undergraduate student at Reading in the early 1990s, I was shown the linocut posters and prints of Paul Peter Piech as inspiration for a project, writes Fraser Muggeridge. I hated them.
Pop Art Design, The Magazine 19, Punk 45, D&AD 2013 and REsolutions
Here are brief reviews of some titles that recently arrived at Eye’s Shoreditch office.