Epilogue Press’s Flatland re-interprets the 1884 classic for the age of popular science. Review by Kevin J. Hunt
Flatland is a cult novella by Edwin A. Abbott, first published in 1884, a classic situated somewhere between fringe populism and elite literature. It playfully (and earnestly) combines mathematics and morality in an inspired piece of conceptual storytelling, writes Kevin J. Hunt.
Unit Editions’ second book about Herb Lubalin zeroes in on his ‘expressive typography’ and his gifted collaborators
Unit Editions’ Herb Lubalin: Typographer is a slimmer, more compact volume than the publisher’s popular blockbusters on Supergraphics, Henrion and Lubalin himself, writes John L. Walters.
Graffiti removal, Circular #19, The Phonografik Collectivo, Optimology° and Fermata
Here are a few things – graffiti removal, a Phoenician alphabet project, a media wall installation, Optimology° and a typography magazine – that caught our attention in recent weeks.
The latest publication from GraphicDesign& is an illustrated spotters’ guide to nuns’ habits. Review by Sarah Snaith
Looking Good: A visual guide to a nun’s habit is full of interesting facts for a curious mind, writes Sarah Snaith.
Edward Ardizzone’s humanity comes to the fore in a new monograph, and a retrospective at London’s House of Illustration. Review by Clare Walters
Edward Ardizzone (1900-79) was one of the foremost and most prolific artists of mid-twentieth century Britain, writes Clare Walters. His contemporaries included Edward Bawden, Pearl Binder, Eric Ravilious and John Piper – the latter two of whom were, like Ardizzone, official war artists during the Second World War.
Experience is both a book about design and a design experience – with bits of string and a heat-sensitive cover. Review by John O’Reilly
The word ‘Experience’ runs diagonally across a heat sensitive cover, writes John O’Reilly.
Eggers in the sky, Callahan’s streets, Tim Burton, rubber-stamped Chilean horror and a Brit in Japan
Here are a few photobooks that have recently caught our attention … each reviewed in no more than 140 characters.
Offset’s first Sheffield conference bought together artists and designers for two days of engaging presentations and lively panel discussions
Last month, a host of speakers from across the design industry came to present their work for Offset Sheffield 2016. Here we publish the first of two reports … written by final-year students at Sheffield Institute of Art’s Graphic Design and Illustration course.
Oldřich Hlavsa, Fairy Tales, FBA: O design gráfico como prática de clarificação, Carved Names and El Protectorado español en Marruecos
The 2016 European Design Awards drew submissions from all across Europe – Poland, Greece, Hungary, Croatia, Czech Republic, Germany, The Netherlands, Portugal and beyond (including the United Kingdom).
Beer cans, Dutch Alphabets, the Global Synthesizer Project, An Anthology of Decorated Papers and Chanced Arm no. 2
Here are a few things – beer cans, books, a sound installation and a magazine – that caught our attention in recent weeks.