A review of this year’s Design of Understanding conference by Mark Barratt
‘Stuff that Max Gadney and his friends think is interesting’ would have been a more awkward but accurate title for the one-day conference ‘The Design of Understanding’, writes Mark Barratt. The event was curated by Gadney, an information designer, at St Bride Library, London on Friday 25 January 2013.
Brendan Dawes’s digital portraits visualise data drawn from the online chatter of British city-dwellers
To mark the arrival of the 4G mobile network in eleven cities across the UK, telecom giant EE (Everything Everywhere) commissioned digital artist Brendan Dawes to create ‘digital portraits’ of each city.
A new book by Marion Deuchars inspires children to get stuck in and make marks that are truly digital
Marion Deuchars’ Let’s make some great fingerprint art is the latest in her series of books that inspire children to explore artistic practice. The book has the appeal of a half-finished sketchbook, begging for inky fingers and paint-covered hands to fill its pages, writes Sarah Snaith.
The children’s books produced by Isotype combined child-centred focus with technical accuracy, writes Sue Walker
The Max Parrish Colour Books – described as ‘simple and vivid in colour’ in the publisher’s 1961 catalogue – were designed by Marie Neurath and her team of Isotype designers and artists in the 1950s and 1960s, including Kenneth James, Evelyn Worboys, John Ellis and Barbara Young, writes Sue Walker.
Give a big hand for Howler, a confident, upmarket print magazine for US soccer fans.
Howler is a ‘a print quarterly for North American soccer enthusiasts’ edited by George Quraishi and Mark Kirby with art direction from New York’s Robert Priest and Grace Lee (Priest + Grace), writes Peter Robertson.