Many great projects would never exist without one person’s unreasonable obsession. Did any publisher ever think that what the world needs now is a book about the coffee houses of Wellington, 1939-79? Or commission a focus group to test it?
Oldřich Hlavsa, Fairy Tales, FBA: O design gráfico como prática de clarificação, Carved Names and El Protectorado español en Marruecos
The 2016 European Design Awards drew submissions from all across Europe – Poland, Greece, Hungary, Croatia, Czech Republic, Germany, The Netherlands, Portugal and beyond (including the United Kingdom).
After ten eventful years, St Bride’s house magazine is on pause
The news that St Bride Foundation intends to cease publication of Ultrabold in its present form for the forseeable future is an opportunity to look back on a fruitful ten years, writes Ben Weiner.*
In Copenhagen this week: POST Design Festival – ‘a rallying cry for those who want design to serve society’
In October last year I met with illustrator Jody Barton over the coffee and pastries obligatory at any meeting here in Denmark, writes POST co-director Aideen McCole.
Rian Hughes, Edward Johnston, Script Fonts, a lexicon of terms and the Triumph of Typography
Here are a few typographically themed books worth knowing about … each reviewed in no more than 140 characters.
Sunday’s New York Times included a section devised by the magazine team, an ‘ink-and-paper’ product not available in digital form
The New York Times published Sunday 7 August 2016 contained a monochrome newsprint section entirely devoted to a piece of fiction – Colson Whitehead’s ‘There was no other way’.
Pureprint Works #4, Francesco Griffo, Beatrice Warde Scholarship winner Ania Wieluńska, London bus destination boards and Ghostbusters!
Here are a few things that caught our attention in recent weeks.
As a designer I feel guilty, says Marina Willer. Could we have done more to stop Brexit?
Twenty years ago, I chose to move from Brazil to London because it is the most diverse and cosmopolitan city in the world, writes Marina Willer.
Children’s picturebooks from Soviet Russia. Clare Walters reviews A New Childhood at the House of Illustration
Anyone interested in Russian graphic design and illustration of the early twentieth century, or in the history of children’s picturebooks, will find the current exhibition at the House of Illustration fascinating, writes Clare Walters.
See you at St Bride at 7pm sharp. Another evening in Eye magazine’s series of informal quarterly events about design and visual culture – with Morag Myerscough and Camille Walala
Eye’s next Type Tuesday will feature presentations by two designers who make bold use of colour – Morag Myerscough and Camille Walala.