8 July 2013
Several quite different summer schools take design education to Portugal, Lithuania and Sicily
Summer presents a chance to explore new destinations and starting this month, a number of summer schools are using location as the starting point for design exploration writes Linda Kwon.
28 June 2013
A new exhibition recounts the history of political persuasion, from coins to tweets.
The British Library’s exhibition, ‘Propaganda: Power and Persuasion’, shows a 1982 political cartoon that was drawn shortly after martial law was imposed in Poland. The drawing is of General Jaruzelski, a Polish political leader, attempting to bridge the gap between two sides of a widening chasm. The left side represents propaganda; the right represents reality, writes Katy Canada.
24 June 2013
Five D-Crit students team up with experts to make presentations at their graduate symposium
It’s that time of year again, when a host of graduating art and design students prepare to launch themselves upon the world. The degree shows have gone up and this year’s crew are buzzing with anticipation, writes Liz Farrelly. That’s fine if your work looks good on a wall or in a gallery. But what about the new breed of design critics on Masters courses on both sides of the Atlantic? Just how do writers make their mark?
20 June 2013
Twenty graphic artists respond to Hari Kunzru’s post-apocalyptic tale with infographics, reliquaries, type, animation and a playhouse made of rubbish
‘London has been destroyed in fiction … innumerable times,’ said Hari Kunzru at press view for ‘Memory Palace’, just opened at the V&A in London. Kunzru’s specially commissioned text imagines a world in which all information has been erased by a digital holocaust.
14 June 2013
We shouldn’t glamourise ‘de-branding’ as cool ‘anti-design’, says Alex Cameron. It’s simply against design.
In March this year, the Australian government’s ‘de-branded’ cigarette packaging design was one of fourteen nominated entries – in the Graphics category – in the Design Museum’s ‘Designs of the Year 2013’ awards / exhibition, writes Alex Cameron.
11 June 2013
The fifth International Conference on Typography & Visual Communication in Cyprus. Mark Barratt reports
Whatever the headlines say, the streets of Nicosia are still purring with BMWs and SUVs, the designer store windows are lit and the town is mostly clean and free from beggars, writes Mark Barratt.
3 June 2013
A report from day two of the inaugural Point conference in London
Conference themes are often loosely interpreted by speakers and the themes themselves leave space for interpretation, writes Sarah Snaith in the second of two reports from the conference (see John O’Reilly’s ‘Talking about the A-word’ on the Eye blog).
28 May 2013
Henrik Kubel takes the stage for Eye’s forthcoming Type Tuesday event at St Bride Library
Next week’s Type Tuesday event at St Bride Library in London features designer Henrik Kubel talking about his work as a type designer, including his collaboration with Margaret Calvert on New Rail Alphabet and New Transport, and his ongoing partnership with Scott Williams in the design practice A2/SW/HK. Other participants include Ben Terrett and Simon Esterson.
20 May 2013
The Bauhaus Archive presents a tour of German-language typographic history with ‘On-Type: Texts on Typography’.
They say that an exhibition should never be a book on a wall, but ‘On-Type’ is exactly that. The entire exhibition is made up of many books and texts all over the walls at Berlin’s Bauhaus Archive, writes Jessica Jenkins.
15 May 2013
Thomas E. Rinaldi’s New York Neon documents a cityscape sprawling with the remnants of illuminated signage. Rinaldi shies away from ‘spectaculars’ in familiar places such as Times Square in favour of the ‘open-air museum’ of on-premise storefronts across Manhattan, the Bronx, Brooklyn, Queens and Staten Island, writes Sarah Snaith.