Graphic Design

19 March 2009

Eye 71 on press

Eye 71 on press

john l. walters

This is it: time to get physical with paper and ink
Since we took ownership of Eye last April, writes Eye editor John L. Walters, my fellow director (and art director) Simon Esterson has made a point of seeing every issue on and off press. Yesterday, Simon set off at the crack of dawn to Beacon Press in Uckfield, where the machines were being prepared for the latest Eye, a type special.

18 March 2009

The Form of the Book 3

The Form of the Book 3

william hall

When misunderstandings could be fatal – Mushrooms by Roger Phillips
‘Death cap Amanita phalloides: prolonged and violent vomiting and diarrhoea accompanied by severe abdominal pains, lasting for a day or more. Typically this is followed by an apparent recovery, when the victim may be released from hospital or think their ordeal over, but death results from kidney and liver failure within a few days.

13 March 2009

The Peter Saville principle

The Peter Saville principle

sara martin

‘Music covers are not graphic design, they communicate nothing’
Peter Saville didn’t keep the audience waiting long last night, writes Sara Martin, only fifteen minutes, but the crowd wanting to see him at the D&AD talk struggled to fit into the large auditorium; a screen was set up outside for people who couldn’t find a seat.

12 March 2009

Scary times for recruitment

Scary times for recruitment

mike radcliffe

What should designers do when supply outweighs demand?
In October 2008, after more than five years finding work for talented designers in the London area, the phone stopped ringing, writes Represent’s Mike Radcliffe.

5 March 2009

Museum and magazine

Museum and magazine

the events department

New exhibitions at the Graphic Design Museum in Breda, Holland
The Graphic Design Museum in Breda, Holland, has published a magazine to coincide with its three new exhibitions, which run until early June:

25 February 2009

Is print really dirtier than online?

Is print really dirtier than online?

barney cox

Barney Cox’s technology feature from Eye 70 looks at green issues
When it comes to the environmental impact of communication media, print is usually singled out as the dirty old man, writes Barney Cox in ‘Foot prints’, Eye no.70. vol. 18. It is understandable why that should be. In the shiny, weightless online world, everything happens in the twinkling of an eye and it is possible to instantly view a Web page or email created on the other side of the world. With the rise of the iPhone, Wifi and 3G dongles, this viewing can be anywhere, as long as you have battery life and a few bars of signal.

23 February 2009

Collection by Matt Willey

Collection by Matt Willey

matt willey

Scrapper vs. Slugger. Boxing posters: tough type; bare facts; no fuss
I found these old boxing posters recently and I think they are wonderful, writes Matt Willey. The typefaces and the way they are arranged appeal to me. The arrangement of the type is a result, I presume, of a simple need to get all this information on the poster – nothing more fancy than that.

14 February 2009

Who’s writing this script?

Who’s writing this script?

the post room

Valentine’s Day is a field day for Marian Bantjes
Design magazines don’t receive Valentine’s Day cards as a rule. Sure, we get plenty of Christmas cards. And even more New Year’s cards and fancy calendars, from all those design studios who didn’t quite hit their Christmas deadline. But 14 February always seemed too . . . arbitrary, too commercialised and/or too personal. Until Marian Bantjes came along.

10 February 2009

The Form of the Book 2

The Form of the Book 2

andy polaine

‘Nothing. Yet everything’ – Kenya Hara’s Designing Design
My desk resembles an over-developed resort on the Costa del Sol, writes Andy Polaine. Towers of design books vie for attention, some flashy, others already out of fashion, most of them desperately self-conscious.

6 February 2009

Modernism 2.0

Modernism 2.0

limited language

Meaning is back in fashion, courtesy of M/M (Paris)
If you’ve ever been troubled by what they call a ‘postmodern moment’ – disorientated, disconnected and detached – worry no more, write Monika Parrinder + Colin Davies. Postmodernism is over, according to Nicholas Bourriaud the French writer and curator behind the current Tate Triennial 2009.
 
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