Graphic Design

19 December 2008

Phil’s top type hits

Phil’s top type hits

the type department

Or . . . ‘Now that’s what I call typography, vol. 1’
Chris Wilson’s recent Reputations interview with Phil Baines (Eye 69) pointed out that his early work was ‘featured heavily in Typography Now: The Next Wave   (Booth-Clibborn Editions), selected by Rick Poynor and Why Not Associates in 1991. Here, by popular (and seasonal) demand, are a few examples of Phil’s work from that book.

18 December 2008

Reasons to be cheerful, part 2

Reasons to be cheerful, part 2

A message from Barney Bubbles in the small print? Or just Ian?
Like Mark Porter, I received an exciting package through the post the other day,

16 December 2008

What’s that sound? Who’s that girl?

What’s that sound? Who’s that girl?

Eye’s latest cover features Goldfrapp and Replica
People have been asking what’s on the cover of the latest Eye

15 December 2008

As if obstacles were not an issue

As if obstacles were not an issue

Good magazine hosts a problem-solving event in LA
Is design really about problem-solving? And if so, how often are those problems really serious? An event in Los Angeles this coming Thursday aims to tackle some really weighty challenges, such as ‘isolation’, ‘traffic’ and ‘earthquakes’.

12 December 2008

Reasons to be cheerful, part 1

Reasons to be cheerful, part 1

Spreads from the original Eye no. 6 article about Barney Bubbles
Something for the weekend. Here, by popular demand, are all the spreads from the original sixteen-page feature about Barney Bubbles in Eye no. 6 vol. 2.

10 December 2008

Milestone at the edge of the map

Milestone at the edge of the map

hamish thompson

New Zealand is geared up for its first international typography symposium
‘Small, perplexed post-colonial democracy seeking in-depth typographical conversation.’ Some want ads are made to go unanswered, writes Hamish Thompson from Wellington, New Zealand.

9 December 2008

Dutch character?

Dutch character?

Versa spreads its wings to become Rijksoverheid, the national type
A few weeks ago, the Dutch Prime Minister announced a new identity for the national government, which aims to rationalise the identities of its thirteen ministries and more than 200 departments under a single mark. The ‘1 Logo’ project is by Studio Dumbar, and has two main parts: a logo that recycles the Netherlands coat of arms on a kind of metaphorical ribbon, and a new typeface by Peter Verheul. Somehow the project’s ideals of clarity and unity of communication come across more naturally in the type than the logo, which seems burdened by history.

8 December 2008

Signs for the digital age - in cardboard

Signs for the digital age - in cardboard

the type department

Cartlidge Levene show Guardian and Observer staff where to go
As The Guardian newspaper and websites move into their new offices in London’s Kings Place, Mark Porter, the paper’s creative director, has had the opportunity to commission new signage for the building from Cartlidge Levene, noted for their wayfinding design for the Barbican, Selfridges and the Oval.

5 December 2008

Eye no. 70 on press (part two)

Eye no. 70 on press (part two)

jay prynne

Measuring, inking, powdering, drying, stacking, lifting and binding
A few days ago we went down to Beacon Press to see the latest issue of Eye hit the presses, writes Jay Prynne.

4 December 2008

Happy go lucky local goes out in style

Happy go lucky local goes out in style

john l. walters

John Ross’s photo book of pub regulars, lovingly designed by Browns
British pubs close down all the time. But few of these closures are marked by the publication of a beautiful, limited-edition book of photographs. John Ross’s The Wheatsheaf RIP, designed by Browns and printed by Moore, on paper by G. F. Smith, is a paean to the Wheatsheaf, a Young’s boozer in Borough Market near London Bridge, writes John L. Walters.
 
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