An archive of historical, ‘aw shucks’ clip art shows a clipped version of history, says Steven McCarthy
One afternoon about fifteen years ago, my University of Minnesota office phone rang, writes Steven McCarthy. It was an attorney at law, claiming to represent The Gap, the clothing retailer.
Chineasy, The Happy Reader, Yellow, Brick and Puss Puss
Here are a few projects that have caught our attention in recent weeks.
Ladybird’s illustrative visions of mid-century Britain, on display at the De La Warr Pavilion and in a new book
A visit to the spacious light-filled De La Warr Pavilion – one of the most iconic Modernist buildings in Britain – is always a pleasure, even on a cold rainy wind-swept day, writes Clare Walters.
An Atlas of Agendas, Communication Design, In Almost Every Picture, The Bright Labyrinth, Print is Dead. Long Live Print
Here is a quick look at some titles that have recently arrived at Eye’s Shoreditch office.
Watercolours by Eric Ravilious at South London’s Dulwich Picture Gallery
With its verdant gardens, mausoleum (with sarcophaguses) and a smart tea-room, the Dulwich Picture Gallery seems more like a country town art centre than a London gallery. Yet its quirky contradictions and charm make it appropriate for an exhibition of watercolours by Eric Ravilious, writes John L. Walters.
Andrew Rae, Matthew Thompson, Sue Murphy, Matt Willey, Andy Altmann and Cartoon Saloon. Anna Kealey concludes her coverage of the Dublin Offset conference
The closing day of Offset’s presentations were full of colour and comedy, writes Anna Kealey.
Aisha Zeijpveld, Declan Shalvey, Steve Doogan, Tomi Ungerer, Veronica Ditting, Anders Eklind and Björn Engström, Chrissie Macdonald and Snask. Anna Kealey continues her coverage of the Dublin conference
Saturday’s illustration-heavy line-up at Offset welcomed artist, author and designer Tomi Ungerer, illustrator Chrissie Macdonald and creative agency Snask, among many others, to the stage, writes Anna Kealey.
From Irish design heroes to the silver screen – Anna Kealey describes a packed programme that included Peter Maybury, Ian Anderson, Hey Studio and Annie Atkins
Offset’s first day, Friday 6 March, included speakers from a range of backgrounds – graphic design, advertising, film, industrial design and illustration. But some connecting themes emerged: the importance of physicality and texture, meticulous production methods – and seizing opportunities despite tight deadlines, writes Anna Kealey.
Kemistry Gallery’s brief pop-up exhibition at Protein Studios gives visitors a chance to sample its quirky approach to design and graphic art
Kemistry Gallery occupied a small space in Shoreditch for ten years, and in that time, they showed a series of stimulating exhibitions.
Annie Atkins and Sue Murphy talk about their Offset 2015 presentations, their award-winning work, Irish design … and gender balance. By Anna Kealey
The Offset conference has a well earned reputation as an egalitarian event with a uniquely Irish quality; there are no VIP areas or Green Rooms. All attendees are given the opportunity to socialise with each other, usually over a pint, writes Anna Kealey.