Right now, 3D cinema is enjoying a second flush of activity, with immersive, fantastical movies such as Monsters Inc. 3D, Avatar and Pina, writes Andrew Robertson.
88 magazine lovers have made this one-off newsprint publication for a good cause – raising money to support mag maven Bob Newman
Last March (2013), art director Bob Newman suffered an appalling accident in a swimming pool.
After Butler’s Wharf from the RCA’s CWAD graduates, Vapourware, Tractor Boys, Map of Days and Abram Games’s Penguin covers
The V&A’s Friday Lates are an opportunity for graphic design and illustration to invade the museum’s spaces
On the last Friday of every month, the Victoria and Albert museum opens its doors until 10pm to host themed performances, installations, gallery talks and design workshops. Almost all of these ‘Friday Lates’ are free, and everyone is welcome, writes Holly Harris.
Brooklyn Babylon, a multimedia spectacular by Darcy James Argue and Danijel Žeželj, raises the roof at the Holland Festival
In the critic’s lexicon, there are few terms more problematic than ‘multimedia’, writes John L. Walters.
Five D-Crit students team up with experts to make presentations at their graduate symposium
It’s that time of year again, when a host of graduating art and design students prepare to launch themselves upon the world. The degree shows have gone up and this year’s crew are buzzing with anticipation, writes Liz Farrelly. That’s fine if your work looks good on a wall or in a gallery. But what about the new breed of design critics on Masters courses on both sides of the Atlantic? Just how do writers make their mark?
Twenty graphic artists respond to Hari Kunzru’s post-apocalyptic tale with infographics, reliquaries, type, animation and a playhouse made of rubbish
‘London has been destroyed in fiction … innumerable times,’ said Hari Kunzru at press view for ‘Memory Palace’, just opened at the V&A in London. Kunzru’s specially commissioned text imagines a world in which all information has been erased by a digital holocaust.
A report from day two of the inaugural Point conference in London
Conference themes are often loosely interpreted by speakers and the themes themselves leave space for interpretation, writes Sarah Snaith in the second of two reports from the conference (see John O’Reilly’s ‘Talking about the A-word’ on the Eye blog).
Peter Sís crafts a picturebook from Farid Ud-Din Attar’s twelfth-century poem
‘Love loves difficult things’ claims the hoopoe bird at the centre of this poem. And this picturebook could certainly be described as ‘difficult’, for it is mysterious and enigmatic, intriguing and spiritual, writes Clare Walters.
A magazine for Bob Newman; ‘Image Duplicator’; Erwin Blumenfeld at Somerset House; and Rémi Noël’s ‘This is not a map’
When French art director / photographer Rémi Noël goes to the States, he uses road maps rather than relying on a GPS device. And he prefers silver film to digital photography.