Vendela Grundell’s book Flow and Friction shows how glitch art, shaky and unstable, can recalibrate our ways of seeing. Review by Kevin J. Hunt
In her book Flow and Friction, art historian and photographer Vendela Grundell explores the way glitches reveal systems and the role of the interface in a postdigital age, writes Kevin J. Hunt.
Sea Prayer, Poster House, Pit, Straight No Chaser and National 2
Here are a few things – VR journalism, Poster House, new issues of Pit and Straight No Chaser and a new typeface – that caught our attention in recent weeks.
A-B-Z-TXT is an intensive, four-day getaway, a summer school that blends graphic design with media arts and a dash of linguistics
What is a design school? A silly question, of course, writes Michèle Champagne, but one prompted by the massive growth of art and design programmes at universities and the strict disciplinary boundaries that still haunt them.
Design, illustration, animation and anecdotes at Here London 2017
Here London, It’s Nice That’s annual conference, has become an established fixture on the design calendar, with speakers from a range of ‘creative’ disciplines showing their work, entertaining an audience of professionals and students with anecdotes, videos and slide shows of career highlights writes John L. Walters.
De Worde, Span, Cashcow Oblique, Bad Decisions and Oz magazine
Here are a few things that caught our attention in recent weeks.
Graffiti removal, Circular #19, The Phonografik Collectivo, Optimology° and Fermata
Here are a few things – graffiti removal, a Phoenician alphabet project, a media wall installation, Optimology° and a typography magazine – that caught our attention in recent weeks.
‘Björk Digital’ frames the singer’s music in an intimate, uncanny experience
‘Björk Digital’ is a remarkable and intimate way to experience a collection of songs, writes Kevin J. Hunt.
The ICON illustration conference in Texas had both practical pizzazz and academic depth. Roderick Mills, one of the speakers, reports
‘Tall Tales’, the ninth edition of the biennial ICON illustration conference was held in Austin, Texas last month, writes Roderick Mills.
Ron Arad’s Roundhouse installation is an immersive 360-degree cinema for artists’ films
Ron Arad’s Curtain Call is part art installation, part immersive cinema, writes Janet South.
Dublin’s ninth annual Offset was more festival than conference, with informative and entertaining speakers from across the design world
Offset’s first day, Friday 8 April, included speakers Stephen Kelleher, Reed + Rader, Rothco, Robert Ballagh, 4 Creative, Morag Myerscough and Mr Bingo, write Pam Bowman and Matt Edgar, and covered cats, failure, the pressure of success, the importance of teams and partnerships, belonging and performance.