For a limited time, you can buy a bundle of themed Eye back issues – at a bargain price
Occasionally you meet someone whose business card says ‘storyteller’ – which might prompt some of us to run to a bar several blocks away – but usually they have the grace to hand over the card with an ironic shrug. As one such person said to us the other day, ‘Yes, Nathan Barley has come true!’
Redstone Press diary; Typodarium, Fedrigoni, Pierluigi Longo and Peter von Freyhold’s calendars; and cards from Dan Adams, Lara Harwood, Lizzie Lomax, Andy Martin and March design agency
Here are some assorted seasonal cards and calendars given by Eye’s friends and family.
A New Type of Imprint, Hue, Sabor, Recens Paper and Works That Work
Here are a few publications that caught our attention in recent weeks.
See you at St Bride Library at 7pm sharp. DixonBaxi and Kuchar Swara headline the final Type Tuesday of 2015
The final Type Tuesday event of the year has the subject of Design and time, with talks by Kuchar Swara and Dan Capstick of DixonBaxi.
Academics and practitioners meet in Falmouth, Cornwall to discuss the issues affecting research in graphic design
On Friday 20 November 2015, academics, publishers and practitioners in graphic design will meet at the University of Falmouth in Cornwall for a symposium on graphic designers’ research, writes Jessica Jenkins.
TPTQ Arabic; Frank; FS Brabo by Fontsmith; Typomad 2015; New Perspectives in Typography; The Eric Gill Series
Typotheque’s Peter Biľak has announced the launch of TPTQ Arabic, a new type foundry dedicated to developing original high-quality Arabic typefaces and systems for bi-lingual typography.
In Progress, Glyph*, Lago, Patternalia and Street Art Santiago
Here are a few books that have caught our attention in recent weeks.
Elsewhere; Yellow: One Illustrated Year; The Eighty-Eight; Auto Play at Graphic Design Festival Breda; and Fabriano notebooks
Here are a few things that caught our attention in recent weeks.
Franchise Animated – a collaborative project from Dutch foundry Animography – uses the skills of 110 motion designers. By Sarah Snaith
Kinetic typography is not new — it is used in advertising, for film and television title sequences, infographics, music videos and logos – but it is rarely sold as a complete product, as a pre-animated typeface for commercial use, writes Sarah Snaith.
Naomi Games remembers ‘Uncle’ Hans Unger (1915-75) in anticipation of a show of his work at the Highgate Society
I do not know how Hans Unger became friends with my parents but he was always very much a part of our family. When he visited our house, (and he visited often) the three Games children were excited, writes Naomi Games.