Celebrated at Eye’s 12 June event, ‘Made In Italy’ is a book and an (all-too-short) exhibition with work by Grignani, Iliprandi, Noorda and many more
Eye’s ‘Made In Italy’ event took place on 2015’s hottest day (so far) at a packed Protein Gallery in Shoreditch last night.
‘Made In Italy’, a brief chance to see the work of midcentury Italian graphic design masters – Friday 12 & Saturday 13 June 2015
Next week there’s a brief chance for Londoners to see work by some postwar masters of Italian graphic design, including Bob Noorda, Heinz Waibl, Giancarlo Iliprandi and Franco Grignani . Eye magazine will also be hosting a special event on Friday 12 June.
McKnight Kauffer’s Modernist posters for London Underground go under the hammer next week. By Graham Twemlow
In the design canon, from a contemporary perspective, the American-born poster artist Edward McKnight Kauffer (1890-1954) remains an enigmatic figure. Yet in the 1920s and 1930s he was the most celebrated graphic designer in the UK, writes Graham Twemlow.
An Atlas of Agendas, Communication Design, In Almost Every Picture, The Bright Labyrinth, Print is Dead. Long Live Print
Here is a quick look at some titles that have recently arrived at Eye’s Shoreditch office.
Andrew Rae, Matthew Thompson, Sue Murphy, Matt Willey, Andy Altmann and Cartoon Saloon. Anna Kealey concludes her coverage of the Dublin Offset conference
The closing day of Offset’s presentations were full of colour and comedy, writes Anna Kealey.
From Irish design heroes to the silver screen – Anna Kealey describes a packed programme that included Peter Maybury, Ian Anderson, Hey Studio and Annie Atkins
Offset’s first day, Friday 6 March, included speakers from a range of backgrounds – graphic design, advertising, film, industrial design and illustration. But some connecting themes emerged: the importance of physicality and texture, meticulous production methods – and seizing opportunities despite tight deadlines, writes Anna Kealey.
Kemistry Gallery’s brief pop-up exhibition at Protein Studios gives visitors a chance to sample its quirky approach to design and graphic art
Kemistry Gallery occupied a small space in Shoreditch for ten years, and in that time, they showed a series of stimulating exhibitions.
The Eternal Letter, edited by Paul Shaw, was launched at the Type Directors Club in New York
Last month MIT Press launched the book The Eternal Letter: Two Millennia of the Classical Roman Capital at the Type Directors Club in New York City, writes Doug Clouse.
Annie Atkins and Sue Murphy talk about their Offset 2015 presentations, their award-winning work, Irish design … and gender balance. By Anna Kealey
The Offset conference has a well earned reputation as an egalitarian event with a uniquely Irish quality; there are no VIP areas or Green Rooms. All attendees are given the opportunity to socialise with each other, usually over a pint, writes Anna Kealey.
New York was Lella and Massimo Vignelli’s kind of town. They were New York’s kind of designers. A profile from the 1980s by Rick Poynor
Entering the New York offices of Massimo and Lella Vignelli is like crossing the threshold of a church, writes Rick Poynor.