Water, grain and time converge at the source of the Mississippi in Minnesota. Steven McCarthy tastes the typefaces and signs that brand his local beers
Minnesota has abundant quantities of beer’s two main ingredients: water and grain, writes Steven McCarthy.
Noble Rot and OOMK magazines, the Redstone Press diary and two calendars in glorious colour
Here are a few things that caught our attention as 2014 crossfades into 2015.
Cut & Paste: 21st Century Collage, Spitalfields Nippers, A Field Guide to East London Wildlife, Shoreditch Wildlife and Eduardo Paolozzi.
Here are a few books that provided a little relief from Eye’s seasonal hangovers in recent days.
The cover of Unit Editions’ Type Plus highlights the book’s arguments, writes Sarah Snaith.
A tribute to the life and innovative work of Swiss graphic designer David Rust, of Gavillet & Rust. By François Rappo
David Rust has died at the age of 45, writes François Rappo. He was one of the most brilliant members of a generation of graphic artists who have completely revitalised the landscape of Swiss visual communication over the past twenty years.
Paul Graham, Rian Hughes, Modern Toss, The Art of Noir and Nude’s take on underground graphics
Here are a few books that have caught our attention in recent weeks.
Magazine geeks gather at the second annual Modern Magazine conference in London
The second Modern Magazine conference organised by magCulture’s Jeremy Leslie was an enthusiastic celebration of the power of editorial design. The focus was on the relationship between print and digital, and on the differences between independent publishing and the mainstream, writes Joseph Bisat Marshall.
Make Your Own Luck, Grafica Della Strada, classic Volkswagen ads, Kazimir Malevich, Ark and Ends Meet, Essays on Exchange
Here are a few books that have come into Eye’s Shoreditch office that caught our attention.
Ditchling’s elegantly revamped museum places Eric Gill in the everyday context of extraordinary craftspeople
The small Sussex village of Ditchling, near the South Coast of England, was in 1907 already something of a haven for a growing arts and crafts community when Eric Gill moved there with his expanding family, writes Catherine Dixon.
Two 21st-century letterpress projects breathe new life into this arcane, antiquated but much-loved method of mark-making
The LDF’s opening graphic weekend featured plenty of stimulating events and fascinating displays, with workshops, movies (Lost Highway), demonstrations, talks (Paula Scher, Irma Boom), David David’s Carousel Wall in the tunnel entrance, and Barber & Osgerby’s vertiginous Double Space – huge rotating mirrors – in the Raphael Gallery, writes John L Walters.