Bjørn Rune Lie, Sarah Illenberger, Hingston, Brody, Glaser and Maser. Pam Bowman continues her coverage of the Dublin Offset conference.
Speaker Bjørn Rune Lie began Saturday’s line-up presenting to a surprisingly full theatre, given that the delegates party was the night before, writes Pam Bowman.
‘Lettering: Objects, Examples, Practice’ is the first exhibition of its kind at Central Saint Martins’ Kings’s Cross premises
The ‘Lettering: Objects, Examples, Practice’ exhibition, at Central Saint Martins’ Lethaby Gallery, displays traces of lettering history and the traces former students and faculty have left on the college and its student body, writes Sarah Snaith.
North’s Sean Perkins will talk about design for food and hospitality and the ‘heaven and hell’ of clients this Tuesday evening at St Bride
The Type Tuesday event at St Bride Library in London (1 April 2014) is not only about food, but about clients.
Content Aware typography makes Adobe’s software ‘fail’ in the most interesting way
Content Aware Fill first appeared in Adobe Photoshop CS5, released in 2010, writes Tom Harrad.
What can we learn from Paul Peter Piech? Fraser Muggeridge hails an overlooked but highly original graphic artist
As a second-year undergraduate student at Reading in the early 1990s, I was shown the linocut posters and prints of Paul Peter Piech as inspiration for a project, writes Fraser Muggeridge. I hated them.
Michael Rock delivers more words about buildings and fnord
The uncontroversial premise of Multiple Signatures is that design is a collaborative act, writes David Crowley.
A great Modernist graphic designer. Fraser Muggeridge pays tribute
Ken Briggs has died at his home in Eltham, South London aged 82 after struggling for several years with Parkinson’s disease. He is best known for the hundreds of posters and programmes he designed for The National Theatre in London during the 1960s, writes Fraser Muggeridge.
This Paris retrospective of Philippe Apeloig’s cerebral, conceptual design and typography is a triumph that exceeds high expectations, reports Steven Heller
The last time I saw a gaggle of teenage art students sitting quietly on the floor in a museum gallery intently making sketches of posters hanging on a wall, as though they were drawing from classical plaster casts or painted masterworks, writes Steven Heller, was … never!
A new book shows Marian Bantjes’ deep personal engagement with her work. Review of Pretty Pictures by Mark Porter.
Pretty Pictures covers the astonishing body of work Marian Bantjes produced over nine years after a radical mid-career reinvention. It is essentially a conventional monograph, but nothing about Bantjes is entirely conventional, writes Mark Porter.
Eye’s panel checks out the taste of Helvetica, Impact and Comic Sans (as cooked up by Sarah Hyndman)
Designer Sarah Hyndman is known for her Type Tasting workshops – popular events at Pick Me Up and London Design Festival this year. For Hyndman’s latest project, A Taste of Type, she has reversed the approach by asking, ‘what does type taste like?’