Eye’s panel checks out the taste of Helvetica, Impact and Comic Sans (as cooked up by Sarah Hyndman)
Designer Sarah Hyndman is known for her Type Tasting workshops – popular events at Pick Me Up and London Design Festival this year. For Hyndman’s latest project, A Taste of Type, she has reversed the approach by asking, ‘what does type taste like?’
The Gentle Author delivers an album of London past and present in time for Christmas
The long hours of darkness that signify the encroaching winter can cast an unfavourable light on East London, writes Sarah Snaith.
A loud new book pays tribute to the Colby Poster Printing Company of LA and their clients, from artists to junk dealers
This new book is a riotous feast of posters produced in recent decades by the Colby Poster Printing Company, which shut its doors for good at the end of 2012, writes John L. Walters.
An Advent Adventure, Fedrigoni, the Dutch Type Library and MoetMoet Letterpress, Typodarium, and Studio Hinrichs’ typography calendar
Here are a few festive calendars that piqued our interest this week.
Lawrence Weiner’s typographic and gestural drawings fill the lower gallery of Amsterdam’s Stedelijk Museum
‘Written on the Wind’ (Op de Wind Geschreven) is an exhibition at Amsterdam’s Stedelijk Museum of more than 300 works on paper by the conceptual artist Lawrence Weiner, alongside short films, notebooks and gestural markings in the work and on the walls, writes Sarah Snaith.
Archive night with Lucienne Roberts, Rathna Ramanathan, Fraser Muggeridge, Gerry Leonidas, Ken Garland, Simon Esterson and Martin Andrews
Next week we’ll be hosting another Type Tuesday event at St Bride Library in London. This time it’s an ‘archive night’ in collaboration with the Department of Typography & Graphic Communication at the University of Reading.
Alphabet postcards, type geeks as ‘birders’, post-digital letterpress, understanding type basics and calligraphy
Here is a brief look at some type-oriented titles that recently arrived at Eye’s Shoreditch office.
Unit Editions’ book Type Only documents graphic design – from the late 1990s to the present – that primarily uses typography to illustrate and communicate ideas, writes Sarah Snaith.
Pam Bowman and Matt Edgar report from day one of the AGI Open conference in London, where the theme was ‘dialogue’
London’s AGI Open set out to shun the standard conference show-and-tell format, and to bring ‘dialogue’ to the stage, write Pam Bowman and Matt Edgar.
Pulp!, a 1989 newspaper devoted to trees, drew attention to green issues through art, illustration, writing and photography
Pulp! was a one-off, large-format newspaper published in 1989 to raise awareness of pressing green issues.