TPTQ Arabic; Frank; FS Brabo by Fontsmith; Typomad 2015; New Perspectives in Typography; The Eric Gill Series
Typotheque’s Peter Biľak has announced the launch of TPTQ Arabic, a new type foundry dedicated to developing original high-quality Arabic typefaces and systems for bi-lingual typography.
In Progress, Glyph*, Lago, Patternalia and Street Art Santiago
Here are a few books that have caught our attention in recent weeks.
Elsewhere; Yellow: One Illustrated Year; The Eighty-Eight; Auto Play at Graphic Design Festival Breda; and Fabriano notebooks
Here are a few things that caught our attention in recent weeks.
Franchise Animated – a collaborative project from Dutch foundry Animography – uses the skills of 110 motion designers. By Sarah Snaith
Kinetic typography is not new — it is used in advertising, for film and television title sequences, infographics, music videos and logos – but it is rarely sold as a complete product, as a pre-animated typeface for commercial use, writes Sarah Snaith.
Naomi Games remembers ‘Uncle’ Hans Unger (1915-75) in anticipation of a show of his work at the Highgate Society
I do not know how Hans Unger became friends with my parents but he was always very much a part of our family. When he visited our house, (and he visited often) the three Games children were excited, writes Naomi Games.
Anorak’s little sister Dot, We Made This, Varoom 30, FE2O3 Glyphs, Nous Vous, Indiecon 2015
Here are a few things – magazines, postcards, projects and events – that caught our attention in recent weeks.
Artist Alida Sayer witnesses a collision of ancient and hyper-modern in Andong, South Korea
The city of Andong, though widely considered the bastion of ‘traditional’ Korea, possesses a distinctively perpendicular aesthetic, writes Alida Sayer.
For its 160th anniversary, British newspaper The Daily Telegraph unveils a new masthead, crest and typefaces
Some news outlets have a hard time staying in business for more than a generation. British broadsheet daily The Daily Telegraph celebrates its 160th anniversary this week with a confident redesign that includes a new masthead, crest and bespoke typefaces, writes John L. Walters.
Sheffield designer Leonard Beaumont created the UK supermarket’s first postwar identity
Sheffield-born Leonard Beaumont (1891-1986) was the graphic designer who gave Sainsbury’s supermarkets and products a consistent identity in the postwar era.
Celebrated at Eye’s 12 June event, ‘Made In Italy’ is a book and an (all-too-short) exhibition with work by Grignani, Iliprandi, Noorda and many more
Eye’s ‘Made In Italy’ event took place on 2015’s hottest day (so far) at a packed Protein Gallery in Shoreditch last night.