From Irish design heroes to the silver screen – Anna Kealey describes a packed programme that included Peter Maybury, Ian Anderson, Hey Studio and Annie Atkins
Offset’s first day, Friday 6 March, included speakers from a range of backgrounds – graphic design, advertising, film, industrial design and illustration. But some connecting themes emerged: the importance of physicality and texture, meticulous production methods – and seizing opportunities despite tight deadlines, writes Anna Kealey.
Kemistry Gallery’s brief pop-up exhibition at Protein Studios gives visitors a chance to sample its quirky approach to design and graphic art
Kemistry Gallery occupied a small space in Shoreditch for ten years, and in that time, they showed a series of stimulating exhibitions.
The Eternal Letter, edited by Paul Shaw, was launched at the Type Directors Club in New York
Last month MIT Press launched the book The Eternal Letter: Two Millennia of the Classical Roman Capital at the Type Directors Club in New York City, writes Doug Clouse.
Annie Atkins and Sue Murphy talk about their Offset 2015 presentations, their award-winning work, Irish design … and gender balance. By Anna Kealey
The Offset conference has a well earned reputation as an egalitarian event with a uniquely Irish quality; there are no VIP areas or Green Rooms. All attendees are given the opportunity to socialise with each other, usually over a pint, writes Anna Kealey.
New York was Lella and Massimo Vignelli’s kind of town. They were New York’s kind of designers. A profile from the 1980s by Rick Poynor
Entering the New York offices of Massimo and Lella Vignelli is like crossing the threshold of a church, writes Rick Poynor.
Ligne B, Editorial Design, T: A Typology of T-Shirts, Greetings from Retro Design and The Type Taster
Here’s another round-up of some of the design-related titles piling up at Eye’s Shoreditch office.
Fellow designers celebrate the life and work of Massimo Vignelli at an exhibition in San Sebastián
A new exhibition at the Okendo Cultural Centre in San Sebastián, Spain, celebrates the life and work of Massimo Vignelli.
A workshop for students in Turkey aimed to focus on graphic design’s value and responsibilities, says organiser and lecturer Gülizar Çepoğlu
This summer in the small village of Yahşibey, near the city of Izmir in Turkey, I headed an international workshop on design activism inspired by the Gezi protests, writes Gülizar Çepoğlu.
The catalogue for Glenn Ligon’s Come Out evokes the power and brutal claustrophobia of Steve Reich’s 1966 tape composition, first made to raise legal expenses for the Harlem Six.
The catalogue for Glenn Ligon’s Come Out is a picture book full of words, based on a piece of music made of speech, writes John L. Walters.
Two London exhibitions show different aspects of Alan Kitching’s typographic design – personal projects and work for the Guardian.
By the end of this week there will be exhibitions of Alan Kitching’s work in both north and south London.