Typography

7 November 2012

Something to say

Something to say

The current vogue for letterpress is more than mere retro-nostalgia, writes Catherine Dixon in the run-up to Friday’s St Bride conference.
Letterpress is everywhere, writes Catherine Dixon (co-organiser of ‘Letterpress: Something to Say’).

2 November 2012

Graphic design history to boot

Graphic design history to boot

Everything must go when Ian Anderson sells off the contents of The Designers Republic (TDR) archive in its Car Booty Affair in Sheffield.
At what point does the ephemera that is graphic design become collectable? When does a piece of paper become an artefact? These are questions Ian Anderson of TDR makes us think about as he holds a retrospective exhibition of the studio’s work in the form of a car boot sale at the ‘Month of Sundays’ gallery in Sheffield.

29 October 2012

Giants of the visual imagination

Giants of the visual imagination

While others struggle with ‘personal expression’, the Vignellis prove that a simple approach and focus makes great design, writes Quentin Newark.
   Quentin Newark writes:   As I was designing the catalogue for the Tate Modern exhibition ‘Albers and Moholy-Nagy’ (2006), a book hefty with designs for adverts, glass paintings, books, chairs, exhibitions, logos, films and colour studies, I thought: we don’t make them like that any more. Creative minds that can flit between disciplines without inhibition.

26 October 2012

Noted #45

Noted #45

Sneaker art, Coverthink on news design, Kerouac, Lubalin, letterpress and a letter from the Gentle Author.
This week in Noted: branding, editorial design, Kerouac’s scroll, letterpress, more Herb Lubalin and an illustrative alphabet from 1836.

24 October 2012

The Bloomsbury set

The Bloomsbury set

De Bondt, Boom, Burrill, Butterick, Garland, Kubel, Scher and many more make Typo London 2012 a highly ‘Social’ affair. No question about it.
Typo London commenced with graphic designer Sara De Bondt’s fittingly understated introduction, writes Sarah Snaith.

5 October 2012

The view from Here

The view from Here

Typography, generosity, jelly and body architecture (with a side order of unexplained nudity) at It’s Nice That’s ‘creative symposium’
In mid-September, It’s Nice That (see Eye 82) held their first creative symposium at The Royal Geographic Society in South Kensington, writes Sarah Snaith.

18 September 2012

Calling Australia

Calling Australia

australia, jason grant

Inkahoots’ installation encourages the public to engage in typographic dialogue at Brisbane Airport.
We Australians are resolutely ambivalent about our national identity, writes Jason Grant of Inkahoots. A short history, a bloody colonisation, and regular waves of mostly unwelcome immigration are just a few explanations.

12 September 2012

Information inspiration

Information inspiration

Commercial Type’s Paul Barnes will give the annual Beatrice Warde lecture at St Bride Library.
Type design and lettering today stands atop of a pile of historical information collected over many centuries. Much of this is still visible if we look hard enough.

7 September 2012

Slow hand

Slow hand

Three elective design courses at New Zealand’s CoCA demonstrate how the pace of physical printing helps the graphic design process.
The manual qualities of printing slow down the creative process, writes Nick Kapica, and provide access to a visual language that can feed back into students core subject areas.

6 September 2012

Pause to play

Pause to play

Marcus Leis Allion hails Song Board – an interactive installation for King’s Cross commuters
This summer, as passengers rush through the new entrance to London’s King’s Cross Station to check the departure boards, they can pause to play with an interactive wall of coloured balls, writes Marcus Leis Allison.
 
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