Photography

10 July 2013

Picturing the Average Asmarino

Picturing the Average Asmarino

A childhood photo creates a visual conversation between two cultures for Steven McCarthy’s artists’ book-in-progress about Eritrea
When I visited Asmara, Eritrea recently after many years away, I carried a small black and white photograph of myself taken at the age of ten, writes Steven McCarthy in his third report from Eritrea.

4 July 2013

Portrait of a revolution

Portrait of a revolution

How social media gave voice to the Turkish people. Gülizar Çepoğlu reports from Istanbul
Technology has helped forge rebel into artist … and artist into insurgent, writes Gülizar Çepoğlu. Creativity becomes activism through posters, photographs, videos and slogans.

19 June 2013

Chair man

Chair man

London’s Estorick Collection shows the work of Giorgio Casali, the photographer who framed Domus’s modernist dream
The Estorick Collection is one of London’s smaller galleries, just a short walk from Highbury and Islington (a node of the shiny new London Overground) but not on many tourists’ art tours, writes John L. Walters.

14 June 2013

Fag end

Fag end

We shouldn’t glamourise ‘de-branding’ as cool ‘anti-design’, says Alex Cameron. It’s simply against design.
In March this year, the Australian government’s ‘de-branded’ cigarette packaging design was one of fourteen nominated entries – in the Graphics category – in the Design Museum’s ‘Designs of the Year 2013’ awards / exhibition, writes Alex Cameron.

7 June 2013

Road to nowhere

Road to nowhere

Subterranean photography exhibition ‘Hind Land’ by Nick Rochowski and Tim Bowditch goes on display at The Front Room gallery, London
‘Hind Land’ is a photographic collaboration by Nick Rochowski and Tim Bowditch and is the winner of the Troika Editions / FORMAT13 Award, writes Alex Cameron.

3 June 2013

Private fears of public speaking

Private fears of public speaking

A report from day two of the inaugural Point conference in London
Conference themes are often loosely interpreted by speakers and the themes themselves leave space for interpretation, writes Sarah Snaith in the second of two reports from the conference (see John O’Reilly’s ‘Talking about the A-word’ on the Eye blog).

27 May 2013

Noted #53

Noted #53

A magazine for Bob Newman; ‘Image Duplicator’; Erwin Blumenfeld at Somerset House; and Rémi Noël’s ‘This is not a map’
When French art director / photographer Rémi Noël goes to the States, he uses road maps rather than relying on a GPS device. And he prefers silver film to digital photography.

15 May 2013

Museum of lights

Museum of lights

Thomas E. Rinaldi’s New York Neon documents a cityscape sprawling with the remnants of illuminated signage. Rinaldi shies away from ‘spectaculars’ in familiar places such as Times Square in favour of the ‘open-air museum’ of on-premise storefronts across Manhattan, the Bronx, Brooklyn, Queens and Staten Island, writes Sarah Snaith.

1 May 2013

Mapping Asmara

Mapping Asmara

Steven McCarthy examines the way maps represent Eritrea’s capital city, Asmara – from architectural gems to military legacy
Unable to find a map of Asmara prior to my trip to Eritrea, apart from the page-sized version in a Lonely Planet guidebook, I made several screen grabs of Google maps in progessive levels of detail and saved them as images on an iPad, writes Steven McCarthy in his second report from Eritrea.

22 April 2013

Noted #52

Noted #52

Juggalos, Marmite, Thatcher, Fatherless, Dogs in Cars and Designs of the Year
A few awards, books and images that caught our attention in recent weeks.
 
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