Could Selfiecity’s systems of visual analysis one day become a force for the common good?
‘Selfies’ are a cultural phenomenon, and it seems you cannot move for people taking them, writes Noel Douglas.
An Atlas of Agendas, Communication Design, In Almost Every Picture, The Bright Labyrinth, Print is Dead. Long Live Print
Here is a quick look at some titles that have recently arrived at Eye’s Shoreditch office.
Haunting, retouched press photos from the collection of Raynal Pellicer are on display in a Paris gallery until late June
Raynal Pellicer’s collection of retouched press photos is on display at Galerie Argentic in Paris, writes Sean Eckhardt.
Two remarkable artists died within weeks of each other late last year. Bruce Connew pays tribute to fellow photographers René Burri and Lewis Baltz
A packet arrived from photographer Lewis Baltz in Paris posted two weeks before he died on 22 November 2014, writes Bruce Connew.
Andrew Rae, Matthew Thompson, Sue Murphy, Matt Willey, Andy Altmann and Cartoon Saloon. Anna Kealey concludes her coverage of the Dublin Offset conference
The closing day of Offset’s presentations were full of colour and comedy, writes Anna Kealey.
Ligne B, Editorial Design, T: A Typology of T-Shirts, Greetings from Retro Design and The Type Taster
Here’s another round-up of some of the design-related titles piling up at Eye’s Shoreditch office.
The Story Museum in Oxford celebrates the power of fiction with an exhibition that combines spoken word with photography and installation design
The Story Museum, which opened in 2014, occupies an unrefurbished building in the heart of Oxford and ‘26 Characters’ is its inaugural exhibition, writes Clare Walters.
Cut & Paste: 21st Century Collage, Spitalfields Nippers, A Field Guide to East London Wildlife, Shoreditch Wildlife and Eduardo Paolozzi.
Here are a few books that provided a little relief from Eye’s seasonal hangovers in recent days.
Off Life, Type Tuesday, Aglu photobooks, Amore E Piombo and Works That Work
Here are a few things that caught our attention in recent weeks.
What do the reflections in the images for Bowie’s new compilation tell us about his relationship with the audience? By Kevin J. Hunt
Seeing someone else’s reflection in a mirror is a curious, even disconcertingly uncanny, affair, writes Kevin J. Hunt.