You’ve seen that face before. But why is Jeanne Moreau (as seen in La Notte) staring soulfully from the cover of Eye 85?
The cover of the current issue, Eye 85, has attracted lots of (largely welcome) attention in recent weeks, writes editor John L. Walters.
88 magazine lovers have made this one-off newsprint publication for a good cause – raising money to support mag maven Bob Newman
Last March (2013), art director Bob Newman suffered an appalling accident in a swimming pool.
A childhood photo creates a visual conversation between two cultures for Steven McCarthy’s artists’ book-in-progress about Eritrea
When I visited Asmara, Eritrea recently after many years away, I carried a small black and white photograph of myself taken at the age of ten, writes Steven McCarthy in his third report from Eritrea.
How social media gave voice to the Turkish people. Gülizar Çepoğlu reports from Istanbul
Technology has helped forge rebel into artist … and artist into insurgent, writes Gülizar Çepoğlu. Creativity becomes activism through posters, photographs, videos and slogans.
London’s Estorick Collection shows the work of Giorgio Casali, the photographer who framed Domus’s modernist dream
The Estorick Collection is one of London’s smaller galleries, just a short walk from Highbury and Islington (a node of the shiny new London Overground) but not on many tourists’ art tours, writes John L. Walters.
We shouldn’t glamourise ‘de-branding’ as cool ‘anti-design’, says Alex Cameron. It’s simply against design.
In March this year, the Australian government’s ‘de-branded’ cigarette packaging design was one of fourteen nominated entries – in the Graphics category – in the Design Museum’s ‘Designs of the Year 2013’ awards / exhibition, writes Alex Cameron.
Subterranean photography exhibition ‘Hind Land’ by Nick Rochowski and Tim Bowditch goes on display at The Front Room gallery, London
‘Hind Land’ is a photographic collaboration by Nick Rochowski and Tim Bowditch and is the winner of the Troika Editions / FORMAT13 Award, writes Alex Cameron.
A report from day two of the inaugural Point conference in London
Conference themes are often loosely interpreted by speakers and the themes themselves leave space for interpretation, writes Sarah Snaith in the second of two reports from the conference (see John O’Reilly’s ‘Talking about the A-word’ on the Eye blog).
A magazine for Bob Newman; ‘Image Duplicator’; Erwin Blumenfeld at Somerset House; and Rémi Noël’s ‘This is not a map’
When French art director / photographer Rémi Noël goes to the States, he uses road maps rather than relying on a GPS device. And he prefers silver film to digital photography.
Thomas E. Rinaldi’s New York Neon documents a cityscape sprawling with the remnants of illuminated signage. Rinaldi shies away from ‘spectaculars’ in familiar places such as Times Square in favour of the ‘open-air museum’ of on-premise storefronts across Manhattan, the Bronx, Brooklyn, Queens and Staten Island, writes Sarah Snaith.