Photography

15 February 2013

A car and a gun

A car and a gun

Read Rick Poynor’s latest Photo Critique – on the third edition of Redheaded Peckerwood
Rick Poynor’s Web-only Photo Critique ‘Cold-blooded runaways’ is now published on the Eye website. The article looks at the third edition of Christian Patterson’s award-winning photobook Redheaded Peckerwood as an ongoing project.

30 January 2013

The other end of the spectrum

The other end of the spectrum

Upon Paper 02 sports a Peter Saville cover. John Ridpath talks to editorial director Paul Hetherington about this monster-format ’zine
Upon Paper is a publication made so vast in format that I had to make special travel arrangements to get it home, writes John Ridpath.

19 November 2012

Broadway the art way

Broadway the art way

Tate Modern’s two-part retrospective juxtaposes two artist-photographers: William Klein and Daido Moriyama.
The Tate Modern’s exhibition ‘William Klein + Daido Moriyama’ is introduced with projections of primary coloured New York city street signs, writes Sarah Snaith.

15 November 2012

Back of the net

Back of the net

Give a big hand for Howler, a confident, upmarket print magazine for US soccer fans.
Howler is a ‘a print quarterly for North American soccer enthusiasts’ edited by George Quraishi and Mark Kirby with art direction from New York’s Robert Priest and Grace Lee (Priest + Grace), writes Peter Robertson.

14 November 2012

Jazz in print

Jazz in print

Matt Willey’s sumptuous brochure for UK radio station JazzFM evokes a golden age of magazine and LP sleeve art direction.
Jazz and radio came of age around the same time, the 1920s, when ‘physical music’ was clunky and expensive, writes John L. Walters.

9 November 2012

Freeze!

Freeze!

An exhibition at the Photographers’ Gallery in London looks hard at the eyes of sharpshooters (from artists and anonymous punters to movie stars and Simone de Beauvoir)
The recently re-opened Photographers Gallery is right on target with its current show, writes Liz Farrelly. ‘Shoot! Existential Photography’ is a thematic celebration of an almost lost carnival attraction, the shooting booth, in which a camera is triggered as a shot hits home, snapping the punter’s photo as they fire.

17 October 2012

Light surveillance

Light surveillance

Trevor Paglen’s images, on show at the Brighton Photo Biennial, reveal a secret world of satellites and listening stations. By Chloë King.
I had never come across anything associated with the US military that inspired me to exclaim, ‘it’s so pretty!’ writes Chloë King.

5 October 2012

The view from Here

The view from Here

Typography, generosity, jelly and body architecture (with a side order of unexplained nudity) at It’s Nice That’s ‘creative symposium’
In mid-September, It’s Nice That (see Eye 82) held their first creative symposium at The Royal Geographic Society in South Kensington, writes Sarah Snaith.

1 October 2012

Fashionable chaps

Fashionable chaps

Postcards in the Bodleian’s book Menswear permit us to gaze at fashionable males of another era, decked out in smart suits and sportswear.
A remarkable collection of besuited individuals turned up to Huntsman, a gentleman's tailor in Savile Row, for the launch of Menswear.

20 September 2012

The unflinching eye

The unflinching eye

alex cameron

A powerful new photography exhibition at the Barbican brings an earlier world of change and violence to vivid life.
More than 400 works, by twelve celebrated international photographers in a British institution such as the Barbican, speaks volumes of the perceived artistic legitimacy of photography’s position in contemporary culture, writes Alex Cameron.
 
‹ First  < 2 3 4 5 6 >  Last ›