A magazine for Bob Newman; ‘Image Duplicator’; Erwin Blumenfeld at Somerset House; and Rémi Noël’s ‘This is not a map’
When French art director / photographer Rémi Noël goes to the States, he uses road maps rather than relying on a GPS device. And he prefers silver film to digital photography.
Thomas E. Rinaldi’s New York Neon documents a cityscape sprawling with the remnants of illuminated signage. Rinaldi shies away from ‘spectaculars’ in familiar places such as Times Square in favour of the ‘open-air museum’ of on-premise storefronts across Manhattan, the Bronx, Brooklyn, Queens and Staten Island, writes Sarah Snaith.
Steven McCarthy examines the way maps represent Eritrea’s capital city, Asmara – from architectural gems to military legacy
Unable to find a map of Asmara prior to my trip to Eritrea, apart from the page-sized version in a Lonely Planet guidebook, I made several screen grabs of Google maps in progessive levels of detail and saved them as images on an iPad, writes Steven McCarthy in his second report from Eritrea.
Juggalos, Marmite, Thatcher, Fatherless, Dogs in Cars and Designs of the Year
A few awards, books and images that caught our attention in recent weeks.
Read Rick Poynor’s latest Photo Critique – on the third edition of Redheaded Peckerwood
Rick Poynor’s Web-only Photo Critique ‘Cold-blooded runaways’ is now published on the Eye website. The article looks at the third edition of Christian Patterson’s award-winning photobook Redheaded Peckerwood as an ongoing project.
Upon Paper 02 sports a Peter Saville cover. John Ridpath talks to editorial director Paul Hetherington about this monster-format ’zine
Upon Paper is a publication made so vast in format that I had to make special travel arrangements to get it home, writes John Ridpath.
Tate Modern’s two-part retrospective juxtaposes two artist-photographers: William Klein and Daido Moriyama.
The Tate Modern’s exhibition ‘William Klein + Daido Moriyama’ is introduced with projections of primary coloured New York city street signs, writes Sarah Snaith.
Give a big hand for Howler, a confident, upmarket print magazine for US soccer fans.
Howler is a ‘a print quarterly for North American soccer enthusiasts’ edited by George Quraishi and Mark Kirby with art direction from New York’s Robert Priest and Grace Lee (Priest + Grace), writes Peter Robertson.
Matt Willey’s sumptuous brochure for UK radio station JazzFM evokes a golden age of magazine and LP sleeve art direction.
Jazz and radio came of age around the same time, the 1920s, when ‘physical music’ was clunky and expensive, writes John L. Walters.
An exhibition at the Photographers’ Gallery in London looks hard at the eyes of sharpshooters (from artists and anonymous punters to movie stars and Simone de Beauvoir)
The recently re-opened Photographers Gallery is right on target with its current show, writes Liz Farrelly. ‘Shoot! Existential Photography’ is a thematic celebration of an almost lost carnival attraction, the shooting booth, in which a camera is triggered as a shot hits home, snapping the punter’s photo as they fire.