Sheffield designer Leonard Beaumont created the UK supermarket’s first postwar identity
Sheffield-born Leonard Beaumont (1891-1986) was the graphic designer who gave Sainsbury’s supermarkets and products a consistent identity in the postwar era.
Photographer Henryk Ross risked his life to bear witness to the Holocaust. By Sarah Snaith
The Art Gallery of Ontario is showing a selection of salvaged photographs taken by Jewish photographer Henryk Ross in the Łódź Ghetto in Poland during the Second World War. ‘Memory Unearthed’ offers a rare glimpse into Jewish life during this horrific period in history, showing both everyday life and human suffering, writes Sarah Snaith.
An archive of historical, ‘aw shucks’ clip art shows a clipped version of history, says Steven McCarthy
One afternoon about fifteen years ago, my University of Minnesota office phone rang, writes Steven McCarthy. It was an attorney at law, claiming to represent The Gap, the clothing retailer.
McKnight Kauffer’s Modernist posters for London Underground go under the hammer next week. By Graham Twemlow
In the design canon, from a contemporary perspective, the American-born poster artist Edward McKnight Kauffer (1890-1954) remains an enigmatic figure. Yet in the 1920s and 1930s he was the most celebrated graphic designer in the UK, writes Graham Twemlow.
Chris Dorley-Brown’s ‘time travel’ photobook Drivers in the 1980s is reviewed by art director (and car blogger) Roger Browning
Not so much Drivers in the 1980s as East London drivers on Wednesday 20 May 1987. Yes, I wondered why, too, writes Roger Browning.
Could Selfiecity’s systems of visual analysis one day become a force for the common good?
‘Selfies’ are a cultural phenomenon, and it seems you cannot move for people taking them, writes Noel Douglas.
Chineasy, The Happy Reader, Yellow, Brick and Puss Puss
Here are a few projects that have caught our attention in recent weeks.
Ladybird’s illustrative visions of mid-century Britain, on display at the De La Warr Pavilion and in a new book
A visit to the spacious light-filled De La Warr Pavilion – one of the most iconic Modernist buildings in Britain – is always a pleasure, even on a cold rainy wind-swept day, writes Clare Walters.
Sound, dance, art and projection mapping at London’s Union Chapel
The multi-sensory project Kima – performed in March at Islington’s Union Chapel – explored the expanding discipline of immersive art, with a collaboration that involved sound, dance and projected visuals, writes Katie South.
An Atlas of Agendas, Communication Design, In Almost Every Picture, The Bright Labyrinth, Print is Dead. Long Live Print
Here is a quick look at some titles that have recently arrived at Eye’s Shoreditch office.