The Cuban OSPAAAL posters in Kemistry’s show pack a macho sense of déjà vu, says Colin Davies.
Walk into Kemistry’s OSPAAAL exhibition in Shoreditch and you might be hit by the Cuban posters’ familiarity – there’s a sense of déjà vu, writes Colin Davies.
This Paris retrospective of Philippe Apeloig’s cerebral, conceptual design and typography is a triumph that exceeds high expectations, reports Steven Heller
The last time I saw a gaggle of teenage art students sitting quietly on the floor in a museum gallery intently making sketches of posters hanging on a wall, as though they were drawing from classical plaster casts or painted masterworks, writes Steven Heller, was … never!
A new book shows Marian Bantjes’ deep personal engagement with her work. Review of Pretty Pictures by Mark Porter.
Pretty Pictures covers the astonishing body of work Marian Bantjes produced over nine years after a radical mid-career reinvention. It is essentially a conventional monograph, but nothing about Bantjes is entirely conventional, writes Mark Porter.
The Gentle Author delivers an album of London past and present in time for Christmas
The long hours of darkness that signify the encroaching winter can cast an unfavourable light on East London, writes Sarah Snaith.
A loud new book pays tribute to the Colby Poster Printing Company of LA and their clients, from artists to junk dealers
This new book is a riotous feast of posters produced in recent decades by the Colby Poster Printing Company, which shut its doors for good at the end of 2012, writes John L. Walters.
Lawrence Weiner’s typographic and gestural drawings fill the lower gallery of Amsterdam’s Stedelijk Museum
‘Written on the Wind’ (Op de Wind Geschreven) is an exhibition at Amsterdam’s Stedelijk Museum of more than 300 works on paper by the conceptual artist Lawrence Weiner, alongside short films, notebooks and gestural markings in the work and on the walls, writes Sarah Snaith.
Alphabet postcards, type geeks as ‘birders’, post-digital letterpress, understanding type basics and calligraphy
Here is a brief look at some type-oriented titles that recently arrived at Eye’s Shoreditch office.
Michael Russem’s Postage Stamps By AIGA Medalists features graphic design in miniature from 1909-2007
Michael Russem’s book Postage Stamps by AIGA Medalists, showcases almost every known stamp designed by a medallist, writes Meredith Thomas.
Unit Editions’ book Type Only documents graphic design – from the late 1990s to the present – that primarily uses typography to illustrate and communicate ideas, writes Sarah Snaith.
Singapore’s graphic design story matches the city-state’s dramatic narrative, but this breathless overview leaves little time for reflection
In the introduction to Independence: The History of Graphic Design in Singpore since the 1990s, author Justin Zhuang quotes Deyan Sudjic, ‘design is the language that a society uses to create objects that reflect its purposes and values’, writes Steve Rigley.