Sarah Mazzetti, Golden Wolf, Marina Willer, Mike Perry, Detail, Serge Seidlitz, Jessica Walsh and Mother take the stage. Pam Bowman reports from the Dublin conference.
This year was the fifth anniversary of Offset, with 24 speakers across three days. Again, in the Bord Gáis Energy Theatre, Dublin, with around 2000 delegates, writes Pam Bowman.
What can we learn from Paul Peter Piech? Fraser Muggeridge hails an overlooked but highly original graphic artist
As a second-year undergraduate student at Reading in the early 1990s, I was shown the linocut posters and prints of Paul Peter Piech as inspiration for a project, writes Fraser Muggeridge. I hated them.
Pop Art Design, The Magazine 19, Punk 45, D&AD 2013 and REsolutions
Here are brief reviews of some titles that recently arrived at Eye’s Shoreditch office.
When MinaLima took on the Harry Potter franchise, they designed more than graphics – they were designing childhoods
‘The Graphic Art of the Harry Potter Films’ at London’s St Bride Library was a popular talk that brought J. K. Rowling’s fantasy world into the realities of design for posters, maps and publications, writes Joseph Bisat Marshall.
An exhibition of photographs by Andy Warhol, William S. Burroughs and David Lynch provides some fresh insights into their work
When you tire of the detritus of uncensored commodity that is London’s Oxford Street, you can escape through a thin slit of an alleyway and find yourself at The Photographers’ Gallery, writes Colin Davies.
Michael Rock delivers more words about buildings and fnord
The uncontroversial premise of Multiple Signatures is that design is a collaborative act, writes David Crowley.
Fabriano, Sint Lucas University, Illustration Next, Roy G. Biv and Eduardo Paolozzi at New Worlds
Here is a brief look at some titles that recently arrived at Eye’s Shoreditch office.
The Cuban OSPAAAL posters in Kemistry’s show pack a macho sense of déjà vu, says Colin Davies.
Walk into Kemistry’s OSPAAAL exhibition in Shoreditch and you might be hit by the Cuban posters’ familiarity – there’s a sense of déjà vu, writes Colin Davies.
This Paris retrospective of Philippe Apeloig’s cerebral, conceptual design and typography is a triumph that exceeds high expectations, reports Steven Heller
The last time I saw a gaggle of teenage art students sitting quietly on the floor in a museum gallery intently making sketches of posters hanging on a wall, as though they were drawing from classical plaster casts or painted masterworks, writes Steven Heller, was … never!
A new book shows Marian Bantjes’ deep personal engagement with her work. Review of Pretty Pictures by Mark Porter.
Pretty Pictures covers the astonishing body of work Marian Bantjes produced over nine years after a radical mid-career reinvention. It is essentially a conventional monograph, but nothing about Bantjes is entirely conventional, writes Mark Porter.