Annie Atkins and Sue Murphy talk about their Offset 2015 presentations, their award-winning work, Irish design … and gender balance. By Anna Kealey
The Offset conference has a well earned reputation as an egalitarian event with a uniquely Irish quality; there are no VIP areas or Green Rooms. All attendees are given the opportunity to socialise with each other, usually over a pint, writes Anna Kealey.
Ligne B, Editorial Design, T: A Typology of T-Shirts, Greetings from Retro Design and The Type Taster
Here’s another round-up of some of the design-related titles piling up at Eye’s Shoreditch office.
International street artists ‘map their spaces’ on the walls of London’s Somerset House
‘Mapping the City’, featuring 50 artists, occupies the New Wing of Somerset House, a space in transition that features bare concrete floors, fireplaces in disrepair and unfinished stonework doorways, writes Sarah Snaith.
The Story Museum in Oxford celebrates the power of fiction with an exhibition that combines spoken word with photography and installation design
The Story Museum, which opened in 2014, occupies an unrefurbished building in the heart of Oxford and ‘26 Characters’ is its inaugural exhibition, writes Clare Walters.
The cover of Unit Editions’ Type Plus highlights the book’s arguments, writes Sarah Snaith.
Graphic design is woven into fashion culture. ‘Women Fashion Power’ at London’s Design Museum shows how, says Colin Davies
Walking up the stairs to the first-floor gallery space at the Design Museum, London, you get an inclination you might be walking into an explosion, a mini Big Bang, writes Colin Davies.
Make Your Own Luck, Grafica Della Strada, classic Volkswagen ads, Kazimir Malevich, Ark and Ends Meet, Essays on Exchange
Here are a few books that have come into Eye’s Shoreditch office that caught our attention.
A review of 21 Revolutions by Elizabeth F. Beidler
21 Revolutions tells the story of Glasgow Women’s Library (GWL) through the eyes of 42 women – 21 artists and 21 writers – who have created work that responds to the Library’s unique collection of donated materials, writes Elizabeth F. Beidler.
The Typographic Universe, Strange Worlds, paper folding, Supernew Supergraphics and The Open Book Project
Here is a quick look at some titles that have recently arrived at Eye’s Shoreditch office.
The Courtauld Gallery’s ‘Impress’ exhibition shows the connections between the process, the printmaker and the page
Visiting the Courtauld Gallery’s (soon-to-end) exhibition ‘Impress: Print Making Expanded in Contemporary Art’ is like walking into a hidden treasure-trove of contemporary delights, writes Holly Harris.