Lawrence Weiner’s typographic and gestural drawings fill the lower gallery of Amsterdam’s Stedelijk Museum
‘Written on the Wind’ (Op de Wind Geschreven) is an exhibition at Amsterdam’s Stedelijk Museum of more than 300 works on paper by the conceptual artist Lawrence Weiner, alongside short films, notebooks and gestural markings in the work and on the walls, writes Sarah Snaith.
Alphabet postcards, type geeks as ‘birders’, post-digital letterpress, understanding type basics and calligraphy
Here is a brief look at some type-oriented titles that recently arrived at Eye’s Shoreditch office.
Michael Russem’s Postage Stamps By AIGA Medalists features graphic design in miniature from 1909-2007
Michael Russem’s book Postage Stamps by AIGA Medalists, showcases almost every known stamp designed by a medallist, writes Meredith Thomas.
Unit Editions’ book Type Only documents graphic design – from the late 1990s to the present – that primarily uses typography to illustrate and communicate ideas, writes Sarah Snaith.
Singapore’s graphic design story matches the city-state’s dramatic narrative, but this breathless overview leaves little time for reflection
In the introduction to Independence: The History of Graphic Design in Singpore since the 1990s, author Justin Zhuang quotes Deyan Sudjic, ‘design is the language that a society uses to create objects that reflect its purposes and values’, writes Steve Rigley.
Despite its vague theme of ‘The fluidity in-between …’, the Integrated2013 conference in Antwerp was sharp and entertaining
The biannual Integrated conference organised by Hugo Puttaert, can seem bewilderingly complex at first glance, writes John L. Walters.
The authors of Making Great Illustration follow up with some career advice for illustrators
Becoming a Successful Illustrator aims to show students and recent graduates how to forge an illustration career through six colourful and well organised chapters, writes Meredith Thomas.
From Anthony Burrill and Apfel – a book of posters you can pull out and put on your wall
If you have ever wanted to stick one of Anthony Burrill’s prints on your wall, a new book offers many of his ‘greatest hits’ in one volume, printed on heavy paper and perforated for easy removal, writes Meredith Thomas.
The work of Enid Marx links two new exhibitions about animals at Compton Verney in Warwickshire
For designers and illustrators with an interest in print-making there is much to see in two inter-related exhibitions at the beautiful (if rather remote) Compton Verney gallery in Warwickshire, writes Clare Walters.
A report from day two of the AGI Open conference at London’s Barbican.
Day two of AGI Open kicked off with insights and wisdom about ‘collaborative practice’, write Pam Bowman and Matt Edgar.