Right now, 3D cinema is enjoying a second flush of activity, with immersive, fantastical movies such as Monsters Inc. 3D, Avatar and Pina, writes Andrew Robertson.
After Butler’s Wharf from the RCA’s CWAD graduates, Vapourware, Tractor Boys, Map of Days and Abram Games’s Penguin covers
In Limbo, from Full Circle, is an experimental iPhone app that puts you at the centre of a real-time, 360° airport movie short
In Limbo is a short interactive film for the iPhone (4 and above), writes Clare Walters. To watch it, you use your phone like a camera, observing human behaviour in ‘Terminal 8’, a fictional airport departure lounge.
The Roundel, quotes and quips, Various Small Books, interaction design and Unearthing
In the first of a new series of ‘Books received’ blog posts, here is a brief look at some titles that recently arrived at Eye’s Shoreditch office.
Brooklyn Babylon, a multimedia spectacular by Darcy James Argue and Danijel Žeželj, raises the roof at the Holland Festival
In the critic’s lexicon, there are few terms more problematic than ‘multimedia’, writes John L. Walters.
A new exhibition recounts the history of political persuasion, from coins to tweets.
The British Library’s exhibition, ‘Propaganda: Power and Persuasion’, shows a 1982 political cartoon that was drawn shortly after martial law was imposed in Poland. The drawing is of General Jaruzelski, a Polish political leader, attempting to bridge the gap between two sides of a widening chasm. The left side represents propaganda; the right represents reality, writes Katy Canada.
London’s Estorick Collection shows the work of Giorgio Casali, the photographer who framed Domus’s modernist dream
The Estorick Collection is one of London’s smaller galleries, just a short walk from Highbury and Islington (a node of the shiny new London Overground) but not on many tourists’ art tours, writes John L. Walters.
The fifth International Conference on Typography & Visual Communication in Cyprus. Mark Barratt reports
Whatever the headlines say, the streets of Nicosia are still purring with BMWs and SUVs, the designer store windows are lit and the town is mostly clean and free from beggars, writes Mark Barratt.
Subterranean photography exhibition ‘Hind Land’ by Nick Rochowski and Tim Bowditch goes on display at The Front Room gallery, London
‘Hind Land’ is a photographic collaboration by Nick Rochowski and Tim Bowditch and is the winner of the Troika Editions / FORMAT13 Award, writes Alex Cameron.
A report from day two of the inaugural Point conference in London
Conference themes are often loosely interpreted by speakers and the themes themselves leave space for interpretation, writes Sarah Snaith in the second of two reports from the conference (see John O’Reilly’s ‘Talking about the A-word’ on the Eye blog).