‘Touch and Tweet!’ at Amsterdam’s Stedelijk encourages visitors to interact and leave their inhibitions behind
The Stedelijk Museum’s ‘Touch and tweet!’ exhibition in Amsterdam, featuring works by Daan Roosegaarde and Hellicar & Lewis, encourages visitors to interact with the installations, writes Sarah Snaith.
If you have an interest in the intersection of sound and visual culture and you’re anywhere near London before next Sunday, I strongly recommend a visit to the Calvert 22 gallery in Shoreditch, writes John L. Walters.
New Movement Collective inhabits a disused space with dance, architecture, light and sound
The prospect of combining contemporary dance with architecture, light installation and sound is an enticing one – it recognises the natural relationship between body, sound, image and space, writes Sarah Snaith.
Right now, 3D cinema is enjoying a second flush of activity, with immersive, fantastical movies such as Monsters Inc. 3D, Avatar and Pina, writes Andrew Robertson.
After Butler’s Wharf from the RCA’s CWAD graduates, Vapourware, Tractor Boys, Map of Days and Abram Games’s Penguin covers
In Limbo, from Full Circle, is an experimental iPhone app that puts you at the centre of a real-time, 360° airport movie short
In Limbo is a short interactive film for the iPhone (4 and above), writes Clare Walters. To watch it, you use your phone like a camera, observing human behaviour in ‘Terminal 8’, a fictional airport departure lounge.
The Roundel, quotes and quips, Various Small Books, interaction design and Unearthing
In the first of a new series of ‘Books received’ blog posts, here is a brief look at some titles that recently arrived at Eye’s Shoreditch office.
Brooklyn Babylon, a multimedia spectacular by Darcy James Argue and Danijel Žeželj, raises the roof at the Holland Festival
In the critic’s lexicon, there are few terms more problematic than ‘multimedia’, writes John L. Walters.
A new exhibition recounts the history of political persuasion, from coins to tweets.
The British Library’s exhibition, ‘Propaganda: Power and Persuasion’, shows a 1982 political cartoon that was drawn shortly after martial law was imposed in Poland. The drawing is of General Jaruzelski, a Polish political leader, attempting to bridge the gap between two sides of a widening chasm. The left side represents propaganda; the right represents reality, writes Katy Canada.
London’s Estorick Collection shows the work of Giorgio Casali, the photographer who framed Domus’s modernist dream
The Estorick Collection is one of London’s smaller galleries, just a short walk from Highbury and Islington (a node of the shiny new London Overground) but not on many tourists’ art tours, writes John L. Walters.