7 May 2014
Books received #8
Adventures in Letterpress, Derek Jarman’s Sketchbook, Ant Colony, Fritz Kahn and Other People’s Dogs
Here is a quick look at some titles that have recently arrived at Eye’s Shoreditch office.
Adventures in Letterpress (Laurence King, £17.95), with a short introduction by Brandon Mise, separates the work of several, largely US based printing studios into eleven categories, among them, ‘press humour’, ‘retro and weird’ and ‘unique materials and tricky techniques’.
Letterpress work photographed by Lydia See in Adventures in Letterpress by Brandon Mise.
Top: detail from Fritz Kahn’s Der Mensch als Industriepalast.
Cover design of Adventures in Letterpress by Jason Ribeiro, Pentagram. Design by Ghost & Company.
Derek Jarman’s Sketchbooks (Thames & Hudson, £28) focuses on the film-maker’s creative process that played out in scrolled notes, drawings, photographs, news clippings, collages and typewritten dialogue for scripts, bound in family photo album-sized books made by hand in Venice.
The book is edited by the artist Professor Stephen Farthing and film-maker Ed Webb-Ingall and includes texts by Tilda Swinton, sculptor Andrew Logan and journalist Jon Savage, among others, who recall their memories of working with Jarman.
Savage writes: ‘The sketchbooks are an integral part of this total art work. Derek began as a painter and the beautiful drawings and annotations, in his instantly recognisable hand, show the process whereby colours, scenes and scripts were worked out, whereby two dimensions became three.’
From Jarman’s sketchbook for The Last of England to War Requiem, 1987-89.
From Jarman’s sketchbook for Edward II to Glitterbug, 1991-94.
Jarman began each book by painting and gilding the cover of the sketchbook. The cover of Derek Jarman’s Sketchbook features a detail from the sketchbook for the 1987 film The Last of England.
Ant Colony, published by Drawn & Quarterly ($21.95), is a comic book drawn by Canadian illustrator Michael DeForge who draws vivid scenes from the perspective of black ants. The narrative is made up of humorous dialogue between ants, who have very human problems, including those of infertility, sexual conquests, colonial obligations, family history and loneliness.
Spread from Ant Colony showing the relationship woes of an ant couple.
Cover of Ant Colony by Michael DeForge.
Fritz Kahn (Taschen, £34.99) is another huge book from Taschen about the work of the Jewish German scientist, gynaecologist and author who worked with illustrators, designers and architects to visualise his ideas. (See ‘Machine head’ in Eye 75). In his foreword, Steven Heller points to Kahn’s aptitude for translating the human body into industrial machinery, as in Der Mensch als Industriepalast (Man as Industrial Palace), and relates his work to that of Otto Neurath (Isotype), a ‘visual linguist’ who also had a sense for the ‘art of analogy’.
Franckh / Kosmos, Das Leben Des Menschen I, 1922 (left) and Albert Müller, Der Mensch Gesund Und Krank II, 1939.
Fritz Kahn, written by Uta von Debschitz and designed by Thilo von Debschitz.
Other People’s Dogs (The Caseroom Press, £11), written by illustrator Robert Mason (see Eye 35) and illustrated by Ian Pollock, is a small-format book designed and published by The Caseroom Press’s Barrie Tullett. In the prologue to the book, Mason describes encounters with the dogs of the title – from Kent in the 1950s to contemporary London – with short interludes to European holiday destinations.
An illustration of Mrs L’s ghost-poodle Katje doing a ‘routine of circus-dog acrobatics’ to an inebriated audience.
Cover of Robert Mason’s Other People’s Dogs, illustrated by Ian Pollock. Design: Barrie Tullett.
Eye is the world’s most beautiful and collectable graphic design journal, published quarterly for professional designers, students and anyone interested in critical, informed writing about graphic design and visual culture. It is available from all good design bookshops and online at the Eye shop, where you can buy subscriptions and single issues.