Feature

 

The modernist body

Jeremy Aynsley

Images of the human form receive little analysis. An exhibition at London’s Victoria & Albert museum…

 

Reputations: Jean Widmer

Ursula Held

‘Signage reflects both the complexity of space and the way aplace is organised. And it is very…

 

Overtures and psychotic symphonies

Joel Karamath

Title sequences of the 1950s and ’60s grabbed moviegoers with psychological insights, orchestral…

 

A New York state of mind

Chris Vermaas

The design of The New Yorker has nearly always taken the approach that ‘if it ain’t broke, don’t fix…

 

A designer and a one-man band

Rick Poynor

Cranbrook’s song and dance man goes back to college with a bang

 

Clarity and contradiction

Liz Farrelly

Irma Boom’s work is lucid yet challenging. It upsets her colleagues, while pleasing her clients.

 

Retro-sexism

Judith Williamson

The bleak reality of sexism, however 1970s, or ‘cool’, demands a critique

 
Britain’s signature

Britain’s signature

John L. Walters

Margaret Calvert signed the UK – from road to rail to air. Now Henrik Kubel has digitised her Rail…

 

Reputations: David King

Christopher Wilson

‘You develop a visual style as you would a handwriting one … The content is what you concentrate on’

 

The history of interactivity

Bob Cotton

Interactivity is one of the central concepts of multimedia. Bob Cotton, co-author of The Cyberspace…

 
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