Feature

 
The power of physical books

The power of physical books

Mark Sinclair

Sonya Dyakova has a way with words, ideas, space and type. By Mark Sinclair [EXTRACT]
 
The creative anarchist

The creative anarchist

Rick Poynor

Printer, poet, designer and publisher Dennis Gould interweaves the personal with the political in his clamorous, intuitive letterpress work. By Rick Poynor. [EXTRACT]
 
The quiet confidence  of Tomoko Miho

The quiet confidence of Tomoko Miho

Elizabeth Resnick

The influence of three continents underpins the meticulous work of this underrated Japanese-American graphic designer. By Elizabeth Resnick [EXTRACT]
 
Artificial idiot: Deep fake, pink fake

Artificial idiot: Deep fake, pink fake

Marian Bantjes, Eye editors

Pum Lefebure’s Design Army made AI ‘space tourism’ landscapes for an adventurous client. By Marian Bantjes / Eye Editors [EXTRACT]
 
Artificial idiot: Puzzling answers to nonexistent questions

Artificial idiot: Puzzling answers to nonexistent questions

Marian Bantjes, Eye editors

Jonathan Hoefler experiments with AI to create what he calls ‘Apocryphal Inventions’. By Marian Bantjes / Eye Editors [EXTRACT]
 
Artificial idiot: Pegasi, people and golden warriors

Artificial idiot: Pegasi, people and golden warriors

Marian Bantjes

Marian Bantjes makes collages using multiple AI images [EXTRACT]
 
Reputations: Brian Collins

Reputations: Brian Collins

Louise Sandhaus

‘The way I see it, problem-seeking is the yin to the yang of problem-solving. Solving is narrow and practical. Seeking is expansive and brimming with possibility. Solving asks “What’s wrong?” and then tries to fix it. Seeking asks “What if?” and then shows how.’ Interview by Louise Sandhaus [EXTRACT]
 
Artificial idiot

Artificial idiot

Marian Bantjes

Unpredictable, cliché’d, wonderful, neither artificial nor intelligent– is AI the dumbest new kid on the block or the future of illustration? Marian Bantjes explores the weird world of text-to-image generators [EXTRACT]
 
Heavy rotation

Heavy rotation

Christopher Wilson

From 1977-92, the Album Cover Albums presented a broad spectrum of record sleeve art, unintentionally raising questions about the way graphic design for popular culture is experienced, interpreted and preserved. By Christopher Wilson [EXTRACT]
 
Form and feeling

Form and feeling

John L. Walters

Rudolph de Harak gets the recognition he deserves in a new monograph by Richard Poulin [EXTRACT]
 
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