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Summer 1997

 

OPINION

Editorial
Learning to read and write images
by Max Bruinsma

Screen
Sensory montage
by Jessica Helfand

Agenda
The end of the line
by Jamie Hobson


FEATURES

Reputations
Milton Glaser
by Steven Heller

Archive
Eros
by Eye writers

Tools
Manipulation for the masses
by Brett Wickens

Profile: Paul Elliman
Other spaces
by Rick Poynor

Report
Compare and contrast
by Emily King

Essay
The aesthetics of transience
by Max Bruinsma

Overview
Culture in a cold climate
by Will Novosedlik

Report
Stop worrying and learn to love the Web
by the editors

Overview
Between histories
by Orsat Frankovic

History
Willem Sandberg: Warm printing
by Mafalda Spencer


REVIEWS

Visual Explanations: Images and Quantities, Evidence and Narrative

Counterpunch: Making Type in the Sixteenth Century, Designing Typefaces Now

Graphic Design: Reproduction and Representation Since 1800

How We Learn What We Learn

 


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