Jeremy Tankard

Recent articles about Jeremy Tankard

Why Helvetica?

Issue 40, Summer 2001

Feature

Despite the changes provoked by the digital ‘revolution’, designing a typeface for serious reading remains a time-consuming task. For the designer, choosing and setting a body text font can be equally daunting, resulting in some inspired, eccentric and provocative choices

Sense of place

Issue 58, Winter 2005

Feature

Three new typefaces for local institutions draw on Sheffield’s cultural and typographic history

Recent blog posts about Jeremy Tankard

From stone to screen

27 September 2019
Book design, Design education, Design history, Typography, Visual culture

Curator Mark Noad explains the thinking behind ‘Rock Paper Pixel’, a new exhibition at the Lettering Arts Centre in Snape
Letter Exchange is an organisation for professionals in the lettering arts – calligraphy, letter cutting…

(Typographic) Noted #94

19 August 2019
Book design, Graphic design, Typography, Visual culture

Toulouse Letters; Brick Index; Jeremy Tankard’s Brucker; Morgue File 1 & 2; Reinventing Print: Technology and Craft in Typography
Here is a selection of type-related things – a new typeface and several typographic books…

Type now: Eye 98 live

28 May 2019
Design history, Graphic design, Music design, New media, Type Tuesday, Typography

Join us at St Bride Library for Eye’s quarterly Type Tuesday on 4 June, with Hansje van Halem, Mark Thomson, Ferdinand Ulrich and more …
The next Type Tuesday on 4 June 2019 is a live version of our latest…

Noted #81

28 April 2017
Book design, Graphic design, Illustration, Magazines, New media, Posters, Typography, Visual culture

De Worde, Span, Cashcow Oblique, Bad Decisions and Oz magazine
Here are a few things that caught our attention in recent weeks. Jeremy Tankard’s most…

Type Tuesday: Text, pixel, pen and fen

1 May 2012
Graphic design, Typography, Visual culture

Tankard’s new type family Fenland questions the ‘calligraphic metaphor’
The launch party for Jeremy Tankard’s new type family Fenland, at London’s Kemistry Gallery, was packed…