Neville Brody

Recent articles about Neville Brody

A tradition with breaks

Issue 86, Autumn 2013

Feature

Stencil typefaces – late arrivals on the typographic scene – are going in new directions and…

Postmodern jam session

Issue 83, 2012

Feature

Jan Middendorp recalls Fuse, the type ‘magazine’ that opened up (and put the lid on) a transient…

Typography’s new priests

Issue 1, Autumn 1990

Review

“Type90” brought several hundred typographically preoccupied people to Oxford…

Fading away before the issues

Issue 41, Autumn 2001

Review

This £400 one-day symposium aimed to instigate ‘an overdue overhaul of the very…

Nameless thing

Issue 57, Autumn 2005

Feature

Tokyo’s TDC rewards work that transcends means, intention, content, context – and just ‘is’…

Beyond typography

Issue 15, Winter 1994

Feature

Fuse’s talented team is on an inspired quest to ‘Make it new!’ But what is the project really…

Reputations: Neville Brody

Issue 6, Spring 1992

Feature

‘People are using the computer in a very rigid, pseudo-religious way and we are trying to say that…

Type paintings of a digital artist

Issue 14, Autumn 1994

Review

‘For the past five years, Neville Brody and his studio have embraced the computer…

The (layered) vision thing

Issue 8, Autumn 1993

Opinion

If it has dotted lines, an arrow or two and it’s impossible to read, then it must be ‘postmodern’.…

History’s role in the studio

Issue 9, Summer 1993

Review

Now in its sixth year, the ‘Modernism and Eclecticism’ symposium organised by…

Stamps and the public interest

Issue 9, Summer 1993

Review

Since Rowland Hill’s introduction of the Penny Black in 1840, the postage stamp…

Recent blog posts by Neville Brody

Offset 2014: day two

7 April 2014

Bjørn Rune Lie, Sarah Illenberger, Hingston, Brody, Glaser and Maser. Pam Bowman continues her coverage of the Dublin Offset conference.
Speaker Bjørn Rune Lie began Saturday’s line-up presenting to a surprisingly full theatre, given that the delegates party was the night before, writes Pam Bowman.