30 September 2015
The curators of ‘The World Goes Pop’ have scoured the globe for overlooked and under-appreciated artists from a moment when art collided with the mass media
It is hard to dislike ‘The World Goes Pop’ (Tate Modern), with its mad visual assault on the senses, starting with Ushio Shinohara’s Doll Festival (1966) and finishing with Komar and Melamid’s mordant take-down of Andy Warhol, Roy Lichtenstein and Robert Indiana, writes John L. Walters.
5 September 2008
Graphic Rolling Stones artefacts are saved for the nation
It began with a letter – addressed to the designer at the Royal College of Art, writes John L. Walters.