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Winter 2008

17 things we know about Daniel Eatock
Imprint
Daniel Eatock
Princeton Architectural Press, USD60
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Reviewed by Martin Soames

1. British designer Daniel Eatock formed Foundation 33 in 2000 with American architect Sam Solhaug and made the 10.2 Multi Ply Coffee Table.

2. The table caught the attention of Lyn Winter, who introduced Eatock to Katie Hayes who worked for Channel 4, then looking for a new identity for the second series of Big Brother.

3. The rest is history: Eatock designed the ‘eye’ logo for Big Brother, and its subsequent reinventions. If anyone there worried about entrusting their brand to a designer who has kept all his nail clippings since 2000, they kept quiet about it.

4. Eatock once sent out posters containing all the lyrics to every song sung by the Beatles.

5. Eye editor John L. Walters invited Eatock to participate in Eye’s first Forum. He responded by giving a performance called ‘Saying NO!’.

6. At that forum, when Aaron Seymour asked why he had said ‘yes’ to Big Brother, Eatock answered that it was what funded his practice.

7. Eatock has made wrapping paper out of price labels, and a jigsaw out of jigsaw pieces.

8. Eatock’s Imprint (Princeton Architectural Press, ) is a big hardback monograph, with amusing ‘Pictures of the Week’, plenty of portfolio examples and a Q&A in which the author interviews himself.

9. It uses American spellings such as ‘color’ and ‘favor’, which seem odd in Eatock’s Lancashire accent.

10. Much of his work seems concerned with materials and systems: one project involved a laser printer required to make repeated black A4 documents until the toner ran out.

11. Despite his commitment to process and dematerialisation, Eatock makes images of extraordinary beauty and / or visual power.

12. The book’s design, which features several dazzling spreads, does not ignore this.

13. However, there are no headlines or chapter headings.

14. The back cover shows his ‘Passport Photographs’, a strip of Photo-Booth pictures of his passport.

15. When Eatock was ten or eleven, his dad removed the badges from their brand new car, a VW Golf GTI, so that no-one would know what model he drove.

16. Eatock is a big fan of Formula 1 racing (see DixonBaxi article, pp.40-47).

17. Some of Imprint is laugh-out loud funny. Some of it makes you smile in an Alan Fletcher kind of way. Eatock has stumbled upon the great truth of design publishing known as the Sagmeister principle: if you say things that are nice, honest and blindingly obvious in a designer-y sort of way, then everyone will love you.

REVIEWS in this issue

Imprint

Cut & Paste: European Photomontage 1920-1945

The Mighty Book of Boosh

Calma, The Art of Stephan Doitschinoff

On Purpose: Design Concepts

Alan Aldridge: The Man with Kaleidoscope Eyes

Illustration: A Visual History

Buying In: The Secret Dialogue Between What We Buy and Who We Are

N. P. de Koo 1881-1960: Grafisch Vormgever en Interieurarchitect

Dope Menace: The Sensational World of Drug Paperbacks 1900-1974

Reasons To Be Cheerful: The Life and Work of Barney Bubbles

For the Love of Vinyl: The Album Art of Hipgnosis

Cold War Modern: Design 1945-1970

ATypI 08: The Old · The New

London Transport Posters: A Century of Art and Design

Data Flow: Visualising Information in Graphic Design

Gateways: An International Exhibition of Book Covers, Portugal

Design Yatra 2008

   


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