Review

 
A message for modernity

A message for modernity

Richard Hollis

In the late 1950s I had tea in London with László Moholy-Nagy’s former secretary…
 
The museum man

The museum man

Jim Northover

This confidently displayed show draws a line in the sand. It secures the De La Warr…
 
Poland’s graphic pioneers

Poland’s graphic pioneers

Sébastien Morlighem

Publications attempting a comprehensive overview of a country’s graphic design…
 
Tightly cropped critique

Tightly cropped critique

John L. Walters

The subtitle of James Clough’s generously illustrated Signs of Italy: Outdoor…
 
Scissor action

Scissor action

John L. Walters

John Heartfield: Laughter is a Devastating Weapon (David King and Ernst Volland, Tate…
 
Weimar volumes

Weimar volumes

Richard Hollis

The musical Cabaret gave a popular view of Berlin between the two world wars; the…
 
Fighting back with pictures

Fighting back with pictures

David Crowley

This is the third book which Liz McQuiston has written on graphic protest in the past…
 
Dreaming in Colors

Dreaming in Colors

Steven Heller

In the ‘about’ section on the Colors website, you can see a sepia-tone photograph of…
 
Nested narratives

Nested narratives

John L. Walters

The Grand Budapest Hotel (Abrams, $35, £21.99) – the book of the film – comes in the…
 
Unpredictable Swiss design

Unpredictable Swiss design

Sébastien Morlighem

The Museum für Gestaltung Zürich, created in 1875, was a pioneer institution in…
 
‹ First  < 3 4 5 6 7 >  Last ›