A message for modernity
Sensing the Future: Moholy-Nagy, Media and the ArtsBy Oliver A. I. Botar
Designed by Integral Lars Müller
Plug In Institute of Contemporary Art, Bauhaus-Archiv / Museum für Gestaltung, Berlin. Lars Müller Publishers, €35
In the late 1950s I had tea in London with László Moholy-Nagy’s former secretary, surrounded by his paintings and sitting on slippery plywood prototypes of chairs by Charles Eames, who had studied with Moholy-Nagy. In conversation we came to link the chairs with the plywood splints that Eames designed for injured servicemen in the Second World War with the wooden ‘Hand Sculptures’ made at the School of Design in Chicago. And we asked if it was possible to imagine Eames’s films without his teacher’s example. Each generation will have its debt to Moholy-Nagy.
Cover shows a recoloured detail of an untitled photogram, 1940.
Top: Spread from Sensing the Future. The layout includes a photogram, 1925-26; two vertical spreads from School of Design in Chicago, 1941; cover of Qualität, nos.1 & 2, 1931; and film stills, 1932, Berlin Still Life, and Lightplay Black White Grey.
Richard Hollis designer, writer, London
Read the full version in Eye no. 92 vol. 23, 2016
Eye is the world’s most beautiful and collectable graphic design journal, published quarterly for professional designers, students and anyone interested in critical, informed writing about graphic design and visual culture. It is available from all good design bookshops and online at the Eye shop, where you can buy subscriptions and single issues. You can see what Eye 92 looks like at Eye before You Buy on Vimeo.