Issue 108, Spring 2025
Review
While we doomscroll, Spiegelman is still the poster boy for consequential drawing, and he reminds us that enduring printed matter still matters …
Issue 63, Spring 2007
Review
It is a mark of how far comics have come that Yale University Press should…
Issue 74, Winter 2009
Review
There are two names responsible for bringing comics ‘out of the trash and into a…
Issue 31, Spring 1999
Feature
With a revival of journalistic visual essays in US magazines, illustrators are once again becoming integral contributors to the editorial mix
Issue 36, Summer 2000
Feature
After a 1990s bubble that went splatt, the comics industry has begun to renew itself through new formats, from glossy hardbacks to cheap pulp
Issue 8, Autumn 1992
Feature
It is ten years since Françoise Mouly and Art Spiegelman impetuously founded Raw Books and Graphics. Since then, Raw, the couple’s alternative comic strip magazine, has provided an outlet for talented unknowns, given new significance to the term ‘graphic novel’, almost single-handedly reinvented one of America’s most popular indigenous artforms – all on a shoestring budget.
Issue 20, Spring 1996
Feature
Graphic authorship is taken for granted by many design theorists and it is gaining ground within practice, too. But the idea has received little sustained examination. What does it mean and what is really possible?
Issue 11, Winter 1993
Feature
The comic book speech bubble has evolved into a highly expressive form of vernacular lettering
Issue 58, Winter 2005
Review
Paul Gravett’s book is a beginner’s guide to one of the most rapidly growing regions of the book publishing world.
Issue 44, Summer 2002
Opinion
A review of ‘Mirroring evil’ at the Jewish Museum, New York