Review

 

What’s this history for?

William Owen

The suggestion, by a European interloper, that there was some rancour in the ostensibly anodyne title…
 

The sound of the sleeves

Cynthia Rose

At the press view for the V&A’s “The Art of Selling Songs”, visitors were regaled by…
 

A grid for all occasions

Rick Poynor

Lella and Massimo Vignelli design by the grid, but they also live and work by…
 

The craft of digital type

Andy Benedek

Metal setting is practised today by only a handful of specialists, but it continues to provide…
 

Design from the margins

Barry Dean

It was probably close to midnight when Gert Dumbar, a key figure in the “America-Holland: Overseas…
 

When an ad becomes art

Edward Gomez

Admen have long yearned to be taken seriously as artists. Visual artists have long helped to…
 

Images and information

Hugh Aldersey-Williams

Seven years have passed since Edward Tufte wrote The Visual Display of Quantitative Information published by…
 

Typography’s new priests

Robin Kinross

‘Type90’ brought several hundred typographically preoccupied people to Oxford this summer. Following the successful pattern…
 

Multimedia machine

Nico Macdonald

At first sight the NeXT computer shows every sign of being a second generation Macintosh. It…
 

America: the lost decades

Steven Heller

Graphic Design in America: A Visual Language History is a challenging book but it made a…
 
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