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The steamroller of branding
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Art and culture are open to interpretation. Why must we give them fixed identities?
A waking dream
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The notion of the brand and its plausible functions have been derailed and abstracted
Abandoned gloves
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Collected by Ivan Chermayeff, Chermayeff & Geismar Inc., New York.
The frozen past
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For a time, traces of Berlin’s prewar past could be glimpsed in fragments of shop signs
Understanding silly books
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Turning Python’s TV humour into cold print required some very serious graphic design
Looking for clues
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Notebook in hand, Paul Davis works like a journalist, trying to figure out what makes us tick
Reputations: Bob Gill
‘I’ve never had a problem with a dumb client. There’s no such thing as a bad client. Part of our job is to do good work and get the client to accept it.’ Interview by Patrick Baglee
Typostalgie
Nostalgia for Germany’s old East has led to renewed interest in certain pre-1989 typefaces
Multi-coloured mirrors
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Alan Aldridge’s art direction of Beatles lyrics gave a graphic twist to the Swinging Sixties
Making visible the invisible
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Can designers and scientists teach each other how to express new concepts in text and image?