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Brands, treacle and chaps with apps
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‘The future of design’? Wednesday’s event at Wieden + Kennedy.
Last Wednesday night Wieden + Kennedy (and new director of design Ben Terrett) hosted a…
Graphic designers in Barcelona
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This year’s AGI Open has the theme: ‘What. How. Why.’
There’s just over a week to go until this year’s AGI Open in Barcelona (…
In the bunker
The first TypoLondon stirs things up – and takes the locals by surprise
The first TypoLondon conference took many locals by surprise, writes Gerry Leonidas. It was a…
Why we ♥ St Bride
Reasons for loving London’s printing and graphics library
In anticipation of ‘Critical Tensions’, the St Bride annual conference taking place tomorrow and Friday…
The ‘Ziggy Stardust’ moment
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Snapshots of the final annual two-day St Bride conference ‘Critical Tensions’
There was a ‘Ziggy Stardust’ moment right at the end of last week’s ‘Critical Tensions’…
Collaboratively speaking
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A report from day two of the AGI Open conference at London’s Barbican.
Day two of AGI Open kicked off with insights and wisdom about ‘collaborative practice’, write…
Noted #56
An Advent Adventure, Fedrigoni, the Dutch Type Library and MoetMoet Letterpress, Typodarium, and Studio Hinrichs’ typography calendar
Here are a few festive calendars that piqued our interest this week. Bob Design makes…
Extinction Rebellion: Truth works
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Extinction Rebellion has grabbed the world’s attention with its imaginative, disciplined and urgent approach to graphic activism
The writing on the gallery wall (Web only)
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Sara Fanelli’s hand-lettering makes the Tate Modern more user-friendly, but what does it say about the art inside?
Reputations: Margaret Calvert
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‘If I look back at my beginning and everything, it’s learning on the job. You teach yourself and you pick up things and you look and you research – and it happens.’ Interview by John L. Walters and Simon Esterson. Portrait by Philip Sayer